A fine old Hepplewhite sideboard, with old glass and silver, but the modern wallpaper is not in harmony.
A modern Hepplewhite settee, showing the draped scarf carving he used so much.
Hepplewhite
The work of Hepplewhite and his school lasted from about 1760 to 1795; the last nine years of the time the business was carried on by his widow, Alice, under the name of A. Hepplewhite & Co. For five years after that some work was done after his manner, but it was distinctly inferior. In the early seventies Hepplewhite's work was so well known and so much admired that its influence was shown in the work of his contemporaries. There was a great difference between his style and that of Chippendale, his being much lighter in construction and effect, besides the many differences of design. Hepplewhite was strongly influenced by the French style of Louis XVI, and also the pure taste of Robert Adam at its height. Hepplewhite, however, like all the great cabinet-makers, both French and English, was a great genius himself and stamped the impress of his own personality upon his work.
Many people date Hepplewhite's fame from the time of the publication of his book, "The Cabinet Maker and Upholsterer's Guide," in 1788, not realizing that he had been dead for two years when it appeared. Its publication was justified by the well established popularity of his furniture and the success with which his designs were carried out by A. Hepplewhite & Co.