A General Talk
When one faces the momentous question of furnishing a house, there are numerous things which must be looked into and thoroughly understood if success is to be assured. If one is building in the country the first question is the placing of the house in regard to the view, but in town there is not much choice. The architect being chosen with due regard to the style of house one wishes, the planning can go merrily on. The architect should be told if there are any especially large and beautiful pieces of furniture or tapestry to be planned for, so they shall receive their rightful setting. After all, architects are but human, and cannot tell by intuition what furniture is in storage.
It is sad to see how often architecture and decoration are looked upon as two entirely disconnected subjects, instead of being closely allied, playing into each other's hands, as it were, to make a perfect whole. To many people, a room is simply a room to be treated as they wish; whereas many rooms are absolute laws unto themselves, and demand a certain kind of treatment, or disaster follows. In America this kind of house is not found so often as in Europe, but the number is growing rapidly as architects and their clients realize more and more the beauties and possibilities of the great periods as applied to the modern house. It is only to the well-trained architect and decorator with correct taste that one may safely turn, for the ill-trained and commonplace still continue to make their astounding errors, and so to have the decoration of a room truly successful one must begin with the architect, for he knows the correct proportions of the different styles and appreciates their importance. He will plan the rooms so that they, when decorated, may complete his work and form a beautiful and convincing whole. This will give the restfulness and beauty that absolute appropriateness always lends.
This room shows how fresh and charming white paint and simplicity can be.
This matter of appropriateness must not be overlooked, and the whole house should express the spirit of the owner; it should be in absolute keeping with his circumstances. There are few houses which naturally demand the treatment of palaces, but there are many which correspond with the smaller chateaux of France and the manor-houses of England. It is to these we must turn for our inspiration, for they have the beauty of good taste and high standards without the lavishness of royalty; but even royalty did not always live in rooms of state, for at Versailles, and Petit Trianon, there is much simple exquisite furniture. The wonderful and elaborate furniture of the past must be studied of course, but to the majority of people, then as now, the simpler expression of its fundamental lines of beauty are more satisfactory. The trouble with many houses is that their furnishings are copied from too grand models, and the effect in an average modern house is unsuitable in every way. They cannot give the large vistas and appropriate background in color and proportion which are necessary. Beauty does not depend upon magnificence.
The warm tones of a brown Chinese wallpaper are attractive with the mahogany furniture, and the pattern is prevented from becoming monotonous by the strong rectangular lines of the ivory woodwork which frames it. The corner cupboard and the exceptionally fine dining-table and the variety of chairs are interesting.
If one has to live in a house planned and built by others one often has to give up some long cherished scheme and adopt something else more suited to the surroundings. For instance, the rooms of the great French periods were high, and often the modern house has very low ceilings, that would not allow space for the cornice, over-doors and correctly proportioned paneling, that are marked features of those times. Mrs. Wharton has aptly said: "Proportion is the good breeding of architecture," and one might add that proportion is good breeding itself. One little slip from the narrow path into false proportion in line or color or mass and the perfection of effect is gone.