CHAPTER XIIIa.
1561.
Tragedy of Ferrex and Porrex.—Translations of ancient tragedies.—Death of Francis II.—Mary refuses to ratify the treaty of Edinburgh—returns to Scotland.—Enmity between Mary and Elizabeth.—Philip II. secretly encourages the English papists.—Measures of rigor adopted against them by Elizabeth.—Anecdote of the queen and Dr. Sampson.—St. Paul's struck by lightning.—Bishop Pilkington's sermon on the occasion.—Paul's Walk.—Precautions against the queen's being poisoned.—The king of Sweden proposes to visit her.—Steps taken in this matter.
The eighteenth of January 1561 ought to be celebrated as the birthday of the English drama; for it was on this day that Thomas Sackville caused to be represented at Whitehall, for the entertainment of Elizabeth and her court, the tragedy of Ferrex and Porrex, otherwise called Gorboduc, the joint production of himself and Thomas Norton. From the unrivalled force of imagination, the vigor and purity of diction, and the intimate knowledge and tasteful adaptation of the beauties of the Latin poets displayed in the contributions of Sackville to the Mirror of Magistrates, a lettered audience would conceive high expectations from his attempt in a new walk of poetry; but in the then barbarous state of our Theatre, such a performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses.
It offered the first example of a story from British history, or what passed for history, completely dramatized and represented with an attempt at theatrical illusion; for the earlier pieces published under the title of tragedies were either ballads or monologues, which might indeed be sung or recited, but were incapable of being acted. The plot of the play was fraught with those circumstances of the deepest horror by which the dormant sensibilities of an inexperienced audience require and delight to be awakened. An unwonted force of thought and dignity of language claimed the patience, if not the admiration, of the hearers, for the long political disquisitions by which the business of the piece was somewhat painfully retarded.
The curiosity of the public respecting a drama which had been performed with general applause both at court and before the society of the Middle Temple, encouraged its surreptitious appearance in print in 1565, and a second stolen edition was followed, some years after, by a corrected one published under the inspection of the authors themselves. The taste for the legitimate drama thus awakened, may be supposed to have led to the naturalization amongst us of several of its best ancient models. The Phœnissæ of Euripides appeared under the title of Jocasta, having received an English dress from Gascoigne and Kinwelmershe, two students of Gray's Inn. The ten tragedies of Seneca, englished by different hands, succeeded. It is worthy of note, however, that none of these translators had the good taste to imitate the authors of Ferrex and Porrex in the adoption of blank verse, and that one only amongst them made use of the heroic rhymed couplet; the others employing the old alexandrine measure, excepting in the choruses, which were given in various kinds of stanza. Her majesty alone seems to have perceived the superior advantages, or to have been tempted by the greater facility of Sackville's verse; and amongst the MSS. of the Bodleian library there is found a translation by her own hand of part of Seneca's Hercules Oetæus, which is in this measure. Warton however adds, that this specimen "has no other recommendation than its royalty."
The propensity of Elizabeth, amid all the serious cares of government and all the pettinesses of that political intrigue to which she was addicted, to occupy herself with attempts in polite literature, for which she possessed no manner of talent, is not the least remarkable among the features of her extraordinary and complicated character.
At the period of her reign however which we are now considering, public affairs must have required from her an almost undivided attention. By the death of Francis II. about the end of the year 1560, the queen of Scots had become a widow, and the relations of England with France and Scotland had immediately assumed an entirely novel aspect.