And so they parted on life's highway with its "changes and chances," unexpected and unknown, but all appointed and ordered in the omniscient love that links together only what works "for good," and drops out of the chain all that we mistake and mismanage for ourselves.
The carriage-and-four rolled deliberately through Falcon Range, where, notwithstanding the novelty of a private equipage in mail coach style, doors were suddenly banged, and surly faces peered from cottage windows; the crape yet hung over the Falconer's Arms, and its landlord stood with his hands in his pockets, and his hat on his head, not deigning to salute the purchaser of the estate of the Falconers, even though his pedigree dated back to the Saxon instead of the Norman Conquest.
But the generous-hearted English gentleman was more touched by the evident sympathy of the villagers for the late occupants of the Moat than disturbed by the slight to himself.
"Poor things," he remarked afterwards to his wife, "I like them for it; who wins their hearts will keep them, and I hate weather-cock friends. However we'll wait our time, Dorothy, and if you don't find your way within those noisy doors that said so plainly, 'You shan't come here,' I shall be more surprised than ever I was in my life yet. So I'll bid you welcome to the Moat, if nobody else does."
And gallantly kissing his wife and daughter, he left them to explore their new abode.
There had not been very much to regret in the removal from Hazel Copse, which had been a long contemplated event, and where many circumstances had estranged them for some time. All that they particularly valued in the form of servants, pet ponies, horses, dogs, and other delights, accompanied them, and Squire Hazelwood of the Falcon Range would be a more important personage in the world's history than the Squire of Hazel Copse. At least so thought the little spoiled heiress of his house and fortune, as she flew about exclaiming with rapture over all she saw.
"Such a dear old place, mother," "Come here," and "Go there," was the frequent interruption to the work of the lady in newly arranging her household, as Evelyn lighted on a terrace walk, or penetrated some dark corner, or, best of all, explored her way into a real "tapestried chamber," haunted of course, ever since Judge Jeffries, of evil renown, tarried there for a night in the civil wars, and was reported to have left some token of ill, like an ancient leper, in the walls of the house that sheltered him.
Evelyn declared herself bold enough to face any wig and gown that might venture from behind the arras, but beyond a saucy rat of venerable lineage, and a few hungry spiders on the search for flies, she never discovered anything to test her boasted courage.
The mansion itself might have served as an illustration of the varieties of English architecture since the first Falconer planted his lance on the sunny slope where his castle was to stand.
There was a tower, ivy-clad and crumbling, remnant of feudal times; there were gables and turretted roofs, porches and pilasters, oriel windows, lattices, arches, and griffins, in fact tokens of all tastes and fashions—Plantagenet, Tudor, Stuart, and Hanoverian, with carvings and heraldic devices blending the armorial bearings of all the family alliances of the ancient House innumerable.