Halevy's cooperation endowed the plays of Meilhac with a fuller ethical richness—tempered them, so to speak, and made them real, for it can not be denied that Meilhac was inclined to extravagance.
Halevy's novels are remarkable for the elegance of literary style, tenderness of spirit and keenness of observation. He excels in ironical sketches. He has often been compared to Eugene Sue, but his touch is lighter than Sue's, and his humor less unctuous. Most of his little sketches, originally written for La Vie Parisienne, were collected in his 'Monsieur et Madame Cardinal' (1873); and 'Les Petites Cardinal', (1880). They are not intended 'virginibus puerisque', and the author's attitude is that of a half-pitying, half-contemptuous moralist, yet the virility of his criticism has brought him immortality.
Personal recollections of the great war are to be found in 'L'Invasion' (1872); and 'Notes et Souvenirs', 1871-1872 (1889). Most extraordinary, however, was the success of 'L'Abbe Constantin' (1882), crowned by the Academy, which has gone through no less than one hundred and fifty editions up to 1904, and ranks as one of the greatest successes of contemporaneous literature. It is, indeed, his 'chef-d'oeuvre', very delicate, earnest, and at the same time ironical, a most entrancing family story. It was then that the doors of the French Academy opened wide before Halevy. 'L'Abbe Constantin' was adapted for the stage by Cremieux and Decourcelle (Le Gymnase, 1882). Further notable novels are: 'Criquette, Deux Mariages, Un Grand Mariage, Un Mariage d'Amour', all in 1883; 'Princesse, Les Trois Coups de Foudre, Mon Camarade Moussard', all in 1884; and the romances, 'Karikari (1892), and Mariette (1893)'. Since that time, I think, Halevy has not published anything of importance.
E. LEGOUVE de l'Academie Francaise.
THE ABBE CONSTANTIN
BOOK 1.
CHAPTER I
THE SALE OF LONGUEVAL
With a step still valiant and firm, an old priest walked along the dusty road in the full rays of a brilliant sun. For more than thirty years the Abbe Constantin had been Cure of the little village which slept there in the plain, on the banks of a slender stream called La Lizotte. The Abbe Constantin was walking by the wall which surrounded the park of the castle of Longueval; at last he reached the entrance-gate, which rested high and massive on two ancient pillars of stone, embrowned and gnawed by time. The Cure stopped, and mournfully regarded two immense blue posters fixed on the pillars.
The posters announced that on Wednesday, May 18, 1881, at one o'clock P.M., would take place, before the Civil Tribunal of Souvigny, the sale of the domain of Longueval, divided into four lots: