The beneficial influence of religion rests on this extension of the sensational consciousness. In religion man is in the open air, sub deo; in the sensational consciousness he is in his narrow confined dwelling-house. Religion has relation essentially, originally—and only in its origin is it something holy, true, pure, and good—to the immediate sensational consciousness alone; it is the setting aside of the limits of sense. Isolated, uninstructed men and nations preserve religion in its original sense, because they themselves remain in that mental state which is the source of religion. The more limited a man’s sphere of vision, the less he knows of history, Nature, philosophy—the more ardently does he cling to his religion.
For this reason the religious man feels no need of culture. Why had the Hebrews no art, no science, as the Greeks had? Because they felt no need of it. To them this need was supplied by Jehovah. In the divine omniscience man raises himself above the limits of his own knowledge;[3] in the divine omnipresence, above the limits of his local standpoint; in the divine eternity, above the limits of his time. The religious man is happy in his imagination; he has all things in nuce; his possessions are always portable. Jehovah accompanies me everywhere; I need not travel out of myself; I have in my God the sum of all treasures and precious things, of all that is worth knowledge and remembrance. But culture is dependent on external things; it has many and various wants, for it overcomes the limits of sensational consciousness and life by real activity, not by the magical power of the religious imagination. Hence the Christian religion also, as has been often mentioned already, has in its essence no principle of culture, for it triumphs over the limitations and difficulties of earthly life only through the imagination, only in God, in heaven. God is all that the heart needs and desires—all good things, all blessings. “Dost thou desire love, or faithfulness, or truth, or consolation, or perpetual presence?—this is always in him without measure. Dost thou desire beauty?—he is the supremely beautiful. Dost thou desire riches?—all riches are in him. Dost thou desire power?—he is supremely powerful. Or whatever thy heart desires, it is found a thousandfold in Him, in the best, the single good, which is God.”[4] But how can he who has all in God, who already enjoys heavenly bliss in the imagination, experience that want, that sense of poverty, which is the impulse to all culture? Culture has no other object than to realise an earthly heaven; and the religious heaven is only realised or won by religious activity.
The difference, however, between God and man, which is originally only quantitative, is by reflection developed into a qualitative difference; and thus what was originally only an emotional impression, an immediate expression of admiration, of rapture, an influence of the imagination on the feelings, has fixity given to it as an objective quality, as real incomprehensibility. The favourite expression of reflection in relation to this subject is, that we can indeed know concerning God that he has such and such attributes, but not how he has them. For example, that the predicate of the Creator essentially belongs to God, that he created the world, and not out of matter already existing, but out of nothing, by an act of almighty power,—this is clear, certain—yes, indubitable; but how this is possible naturally passes our understanding. That is to say: the generic idea is clear, certain, but the specific idea is unclear, uncertain.
The idea of activity, of making, of creation, is in itself a divine idea; it is therefore unhesitatingly applied to God. In activity, man feels himself free, unlimited, happy; in passivity, limited, oppressed, unhappy. Activity is the positive sense of one’s personality. That is positive which in man is accompanied with joy; hence God is, as we have already said, the idea of pure, unlimited joy. We succeed only in what we do willingly; joyful effort conquers all things. But that is joyful activity which is in accordance with our nature, which we do not feel as a limitation, and consequently not as a constraint. And the happiest, the most blissful activity is that which is productive. To read is delightful, reading is passive activity; but to produce what is worthy to be read is more delightful still. It is more blessed to give than to receive. Hence this attribute of the species—productive activity—is assigned to God; that is, realised and made objective as divine activity. But every special determination, every mode of activity is abstracted, and only the fundamental determination, which, however, is essentially human, namely, production of what is external to self, is retained. God has not, like man, produced something in particular, this or that, but all things; his activity is absolutely universal, unlimited. Hence it is self-evident, it is a necessary consequence, that the mode in which God has produced the All is incomprehensible, because this activity is no mode of activity, because the question concerning the how is here an absurdity, a question which is excluded by the fundamental idea of unlimited activity. Every special activity produces its effects in a special manner, because there the activity itself is a determinate mode of activity; and thence necessarily arises the question: How did it produce this? But the answer to the question: How did God make the world? has necessarily a negative issue, because the world-creating activity in itself negatives every determinate activity, such as would alone warrant the question, every mode of activity connected with a determinate medium, i.e., with matter. This question illegitimately foists in between the subject or producing activity, and the object or thing produced, an irrelevant, nay, an excluded intermediate idea, namely, the idea of particular, individual existence. The activity in question has relation only to the collective—the All, the world; God created all things, not some particular thing; the indefinite whole, the All, as it is embraced by the imagination,—not the determinate, the particular, as, in its particularity, it presents itself to the senses, and as, in its totality as the universe, it presents itself to the reason. Every particular thing arises in a natural way; it is something determinate, and as such it has—what it is only tautology to state—a determinate cause. It was not God, but carbon that produced the diamond; a given salt owes its origin, not to God, but to the combination of a particular acid with a particular base. God only created all things together without distinction.
It is true that according to the religious conception, God has created every individual thing, as included in the whole;—but only indirectly; for he has not produced the individual in an individual manner, the determinate in a determinate manner; otherwise he would be a determinate or conditioned being. It is certainly incomprehensible how out of this general, indeterminate, or unconditioned activity the particular, the determinate, can have proceeded; but it is so only because I here intrude the object of sensational, natural experience, because I assign to the divine activity another object than that which is proper to it. Religion has no physical conception of the world; it has no interest in a natural explanation, which can never be given but with a mode of origin. Origin is a theoretical, natural-philosophical idea. The heathen philosophers busied themselves with the origin of things. But the Christian religious consciousness abhorred this idea as heathen, irreligious, and substituted the practical or subjective idea of creation, which is nothing else than a prohibition to conceive things as having arisen in a natural way, an interdict on all physical science. The religious consciousness connects the world immediately with God; it derives all from God, because nothing is an object to him in its particularity and reality, nothing is to him as it presents itself to our reason. All proceeds from God:—that is enough, that perfectly satisfies the religious consciousness. The question, how did God create? is an indirect doubt that he did create the world. It was this question which brought man to atheism, materialism, naturalism. To him who asks it, the world is already an object of theory, of physical science, i.e., it is an object to him in its reality, in its determinate constituents. It is this mode of viewing the world which contradicts the idea of unconditioned, immaterial activity: and this contradiction leads to the negation of the fundamental idea—the creation.
The creation by omnipotence is in its place, is a truth, only when all the phenomena of the world are derived from God. It becomes, as has been already observed, a myth of past ages where physical science introduces itself, where man makes the determinate causes, the how of phenomena, the object of investigation. To the religious consciousness, therefore, the creation is nothing incomprehensible, i.e., unsatisfying; at least it is so only in moments of irreligiousness, of doubt, when the mind turns away from God to actual things; but it is highly unsatisfactory to reflection, to theology, which looks with one eye at heaven and with the other at earth. As the cause, so is the effect. A flute sends forth the tones of a flute, not those of a bassoon or a trumpet. If thou hearest the tones of a bassoon, but hast never before seen or heard any wind-instrument but the flute, it will certainly be inconceivable to thee how such tones can come out of a flute. Thus it is here:—the comparison is only so far inappropriate as the flute itself is a particular instrument. But imagine, if it be possible, an absolutely universal instrument, which united in itself all instruments, without being in itself a particular one; thou wilt then see that it is an absurd contradiction to desire a particular tone which only belongs to a particular instrument, from an instrument which thou hast divested precisely of that which is characteristic in all particular instruments.
But there also lies at the foundation of this dogma of incomprehensibility the design of keeping the divine activity apart from the human, of doing away with their similarity, or rather their essential identity, so as to make the divine activity essentially different from the human. This distinction between the divine and human activity is “nothing.” God makes,—he makes something external to himself, as man does. Making is a genuine human idea. Nature gives birth to, brings forth; man makes. Making is an act which I can omit, a designed, premeditated, external act;—an act in which my inmost being is not immediately concerned, in which, while active, I am not at the same time passive, carried away by an internal impulse. On the contrary, an activity which is identical with my being is not indifferent, is necessary to me, as, for example, intellectual production, which is an inward necessity to me, and for that reason lays a deep hold on me, affects me pathologically. Intellectual works are not made,—making is only the external activity applied to them;—they arise in us. To make is an indifferent, therefore a free, i.e., optional activity. Thus far then—that he makes—God is entirely at one with man, not at all distinguished from him; but an especial emphasis is laid on this, that his making is free, arbitrary, at his pleasure. “It has pleased God” to create a world. Thus man here deifies satisfaction in self-pleasing, in caprice and groundless arbitrariness. The fundamentally human character of the divine activity is by the idea of arbitrariness degraded into a human manifestation of a low kind; God, from a mirror of human nature, is converted into a mirror of human vanity and self-complacency.
And now all at once the harmony is changed into discord; man, hitherto at one with himself, becomes divided:—God makes out of nothing; he creates,—to make out of nothing is to create,—this is the distinction. The positive condition—the act of making—is a human one; but inasmuch as all that is determinate in this conception is immediately denied, reflection steps in and makes the divine activity not human. But with this negation, comprehension, understanding comes to a stand; there remains only a negative, empty notion, because conceivability is already exhausted, i.e., the distinction between the divine and human determination is in truth a nothing, a nihil negativum of the understanding. The naïve confession of this is made in the supposition of “nothing” as an object.
God is Love, but not human love; Understanding, but not human understanding,—no! an essentially different understanding. But wherein consists this difference? I cannot conceive an understanding which acts under other forms than those of our own understanding; I cannot halve or quarter understanding so as to have several understandings; I can only conceive one and the same understanding. It is true that I can and even must conceive understanding in itself, i.e., free from the limits of my individuality; but in so doing I only release it from limitations essentially foreign to it; I do not set aside its essential determinations or forms. Religious reflection, on the contrary, denies precisely that determination or quality which makes a thing what it is. Only that in which the divine understanding is identical with the human is something, is understanding, is a real idea; while that which is supposed to make it another—yes, essentially another than the human—is objectively nothing, subjectively a mere chimera.
In all other definitions of the Divine Being the “nothing” which constitutes the distinction is hidden; in the creation, on the contrary, it is an evident, declared, objective nothing;—and is therefore the official, notorious nothing of theology in distinction from anthropology.