He looked tenderly at the rose in the water-glass; it seemed to return his gaze with a blushing smile. He took it, and with a delicate touch pressed a soft kiss on its leaves, and breathed a sigh into its cup; he then carefully replaced it in the nourishing element. He had recently found it again already withered in his bosom; from the hour when it touched his face in its fall, he had become a different man, without being willing to own the change to himself. Man is never so superstitious, and so inclined to pay attention to omens, as when the heart is deeply agitated, and a new life is on the point of rising out of the tempest of the feelings. Edward himself did not observe to what a degree the little flower made Sophia present to his mind; and as he had lost all, and almost himself, he resolved the withered plant should be his oracle, to see whether it would recover its strength, and announce to him too the revival of his fortune. But when, after some hours, it did not open itself in the water, he assisted it and its oracular power by the common operation of lopping the stalk, then holding it a few moments in the flame of the candle, and afterwards setting the flower again in the cold element. It recovered its strength almost visibly after this violent assistance, and blossomed so rapidly and strongly, that Edward feared it would in a short time drop all its leaves. Still after this he felt cheered, and once more trusted his stars.
He rummaged among old papers of his father, and found numberless reminiscences of his childhood, as well as the youth of his parent. He had spread out before him the contents of a cabinet which contained bills, memorandums, pleadings of a suit, and many things of the same sort. A paper now rolled open, containing the catalogue of the late gallery, the history of the pictures, their prices, and whatever had struck the owner as remarkable in each piece. Edward, who on his return from a journey had found his father on his deathbed, had after the funeral searched in a variety of quarters for those lost pictures, and made many unavailing inquiries. He had reason to expect that a word might here be found respecting the missing ones, and in fact he discovered in another packet, hidden between papers, a memorandum which exactly described those pieces, and contained the names of the masters, as well as of the former proprietors. The writing evidently belonged to the last days of his father, and beneath were the words, "These pieces are now----" The hand had written no farther, and even these lines had been erased again.
Edward now searched more actively, but not a trace appeared. The light was burnt down to the socket; his blood was heated; he tossed the papers hastily about the room, but nothing was to be discovered. On opening a paper which age had turned yellow, he saw to his astonishment a note drawn many years back, in which his father acknowledged himself Walther's debtor for a sum therein named. There was no receipt upon it, and yet it was not in the creditor's hands. How was this circumstance to be explained?
He put it into his pocket, and calculated that, if the paper was binding, he should scarcely have any thing left from the mortgage of his house. He looked at a purse which he had put in a corner, and which was designed to give, once for all, a considerable assistance to the families which he had hitherto secretly maintained. For as he was thoughtless in his prodigality, so was he in his charities; they too might, in strictness, have been termed prodigalities.--"If I can only avoid touching this sum, that the poor people may once more be made happy, I may after that just as well begin entirely anew, and rely only on my own powers." This was his last thought before he fell asleep.
Edward had been invited by the counsellor to dinner; it was the first invitation he had received from him for a long time; and though the youth did not comprehend the cause of this returning good-will in his old friend, still he went in high spirits, chiefly in the pleasing expectation of renewing his former acquaintance with Sophia. He took with him the paper which he had discovered.
It annoyed him extremely to find there the elder and younger Von Eisenschlicht; still, as he sat fronting Sophia at table, he addressed himself chiefly to her, and took pains to appear calm, though his feelings were violently excited; for it did not escape him, that old Walther paid all possible attentions to young Eisenschlicht, and almost neglected him; it was known too in the town, that the counsellor wished to have the rich young man for a son-in-law. The latter received the kindness of his host as if it was a matter of course; and Erich, who wished well to Edward, endeavoured to prevent the excited youth from breaking out into violence. Sophia was sprightliness itself: she had dressed herself more than usual, and her father could not help often viewing her attentively, for her costume varied in some points from her usual style, and reminded him more strongly than ever of that lost picture of Messys, which represented the two young people, to a certain degree of likeness, as shepherds.
After dinner the company assembled in the picture-saloon, and Erich could not help smiling when he observed that his friend had actually hung the counterfeit Höllenbreughel aloft in a corner, where he could scarcely be noticed. The younger Eisenschlicht seated himself by the side of Sophia, and seemed to be engaged in very earnest conversation with her. Edward paced unquietly up and down, and looked at the pictures; Erich conversed with the father of the young suitor, and Walther kept an attentive eye on all.
"But why," said Erich to his neighbour, "are you disgusted with most of the works of the Flemish school here?"
"Because they represent so many tatter-demalions and beggars," answered the rich man. "Nor are these Netherlanders the sole objects of my dislike: I hate particularly that Spaniard Murillo on that account, and even a great number of your Italians. It is melancholy enough that one cannot escape this vermin in the streets and market-places, nay, even in our very houses; but that an artist should require me besides to amuse myself with this noisome crew upon a motley canvas, is expecting rather too much from my patience."