20. “Nature is a glorious school for the heart! It is well; I shall be a scholar in this school and bring an eager heart to her instruction. Here I shall learn wisdom, the only wisdom that is free from disgust; here I shall learn to know God and find a foretaste of heaven in His knowledge. Among these occupations my earthly days shall flow peacefully along until I am accepted into that world where I shall no longer be a student, but a knower of wisdom.”
(Copied into his diary, in 1818, from Sturm’s “Betrachtungen uber die
Werke Gottes in der Natur.”)
21. “Soon autumn will be here. Then I wish to be like unto a fruitful tree which pours rich stores of fruit into our laps! But in the winter of existence, when I shall be gray and sated with life, I desire for myself the good fortune that my repose be as honorable and beneficent as the repose of nature in the winter time.”
(Copied from the same work of Sturm’s.)
CONCERNING TEXTS
Not even a Beethoven was spared the tormenting question of texts for composition. It is fortunate for posterity that he did not exhaust his energies in setting inefficient libretti, that he did not believe that good music would suffice to command success in spite of bad texts. The majority of his works belong to the field of purely instrumental music. Beethoven often gave expression to the belief that words were a less capable medium of proclamation for feelings than music. Nevertheless it may be observed that he looked upon an opera, or lyric drama, as the crowning work of his life. He was in communication with the best poets of his time concerning opera texts. A letter of his on the subject was found in the blood-spotted pocketbook of Theodor Komer. The conclusion of his creative labors was to be a setting of Goethe’s “Faust;” except “Fidelio,” however, he gave us no opera. His songs are not many although he sought carefully for appropriate texts. Unhappily the gift of poetry was not vouchsafed him.
22. “Always the same old story: the Germans can not put together a good libretto.”
(To C. M. von Weber, concerning the book of “Euryanthe,” at Baden, in
October, 1823. Mozart said: “Verses are the most indispensable thing for
music, but rhymes, for the sake of rhymes, the most injurious. Those who
go to work so pedantically will assuredly come to grief, along with the
music.”)
23. “It is difficult to find a good poem. Grillparzer has promised to write one for me,—indeed, he has already written one; but we can not understand each other. I want something entirely different than he.”