April 19, 1819.
MY DEAR FRIEND,--
I ask your forgiveness a thousand times for the trouble I cause you. I cannot understand how it is that there are so many mistakes in the copying of the Sonata. This incorrectness no doubt proceeds from my no longer being able to keep a copyist of my own; circumstances have brought this about. May God send me more prosperity, till ---- is in a better position! This will not be for a whole year to come. It is really dreadful the turn affairs have taken, and the reduction of my salary, while no man can tell what the issue is to be till the aforesaid year has elapsed.
If the Sonata be not suitable for London, I could send another, or you might omit the Largo, and begin at once with the Fugue in the last movement, or the first movement, Adagio, and the third the Scherzo, the Largo, and the Allegro risoluto. I leave it to you to settle as you think best. This Sonata was written at a time of great pressure. It is hard to write for the sake of daily bread; and yet I have actually come to this!
We can correspond again about my visit to London. To be rescued from this wretched and miserable condition is my only hope of deliverance, for as it is I can neither enjoy health, nor accomplish what I could do under more favorable auspices.
263.
TO THE PHILHARMONIC SOCIETY IN LAIBACH.[1]
Vienna, May 4, 1819.
I fully appreciate the high compliment paid to me by the respected members of the Philharmonic Society, in acknowledgment of my poor musical deserts, by electing me honorary member of their Society, and sending me the diploma through Herr von Tuscher; and as a proof of my sense of this honor, I intend in due course to forward to the Society an unpublished work of mine.[2] Moreover, at any time when I can be of use to the Society, I shall be prepared to forward their wishes.
I remain,
the humble servant and honorary member
of the Philharmonic Society,
LUDWIG VAN BEETHOVEN.
[Footnote 1: In Dr. Fr. Keesbacher's pamphlet, "The Philharmonic Society in Laibach, from 1702 to 1862," he says:--"The Philharmonic Society, always anxious to add to its lustre by attracting honorary members, resolved to appoint the great master of harmony as one of these. This idea had previously occurred to them in 1808. At that time they asked Dr. Anton Schmidt whether he thought that the election of Beethoven, and also Hummel's son, would contribute to the advancement of the Society. On that occasion the Society appear to have had recourse to Haydn for the composition of a Canon; whether they applied to him for a new one or an already existing one is not known. Schmidt replied, 'I, for my part, with such an object in view, would prefer giving my vote for the latter, (Hummel's son, who is second Kapellmeister, Haydn being the first, to the reigning Prince Niklas Esterhazy.) Beethoven is as full of caprice as he is devoid of complaisance. I have not seen Father Haydn for a long time, his residence being so distant. He is now in failing health and scarcely ever writes; I will, however, shortly call on him and make the attempt to get a Canon from him.' This discouraging picture of Beethoven, who had indeed too often a repulsive manner, might well deprive the Society of all courage to think any more of him as one of their honorary members. On the 15th of March, 1819, however, the Society prepared the diploma for Beethoven, the usually stereotyped form being exceptionally varied in his honor, and running thus:--'The Philharmonic Society here, whose aim it is to promote refinement of feeling and cultivation of taste in the science of music, and who strive by their incessant efforts to impart to the Society both inwardly and outwardly, by the judicious selection of new members, greater value, solidity, and distinction, are universally animated with the desire to see their list adorned by the name of Beethoven. The organ of this society, the undersigned directors, fulfil the general wish in thus performing their most agreeable duty, and giving you, sir, the strongest proof of their profound admiration, by appointing you one of their honorary members.--Laibach, March 15, 1819.'" A fac-simile of Beethoven's handwriting is hung up in a frame under glass in the hall of the Society and affixed to Dr. Keesbacher's pamphlet.]