I have been always ailing since Y.R.H. left this, and latterly afflicted by severe inflammation of the eyes, which has now in so far subsided that for the last eight days I have been able once more to use my sight, though very sparingly. Y.R.H. will perceive from the enclosed receipt of June 27, the dispatch of some music. As Y.R.H. seemed to take pleasure in the C minor Sonata,[1] I thought I did not take too much on myself by surprising Y.R.H. with the dedication. The Variations[2] have been written out for at least five or six weeks past, but the state of my eyes did not permit me to revise them thoroughly myself. My hope of being entirely restored proved vain. At last I made Schlemmer look them over, so, though they may not look very neat, still they are correct. The C minor Sonata was engraved in Paris in a very faulty manner, and being engraved here from that copy, I tried to make it as correct as possible. I intend shortly to send you a beautifully engraved copy of the Variations. With regard to the Mass[3] that Y.R.H. wished should be more generally known, my continued bad health for some years past, causing me to incur heavy debts, and compelling me to give up my intention of going to England, induced me to ponder on some mode of improving my condition. This Mass seemed well adapted to my purpose. I was advised to offer it to different courts. Painful as this was to me, I felt that I should have cause for self-reproach if I neglected doing so. I therefore applied to various courts to subscribe to the Mass, fixing the price at fifty ducats; the general opinion being that this was not too much, and if there were a good many subscribers, the scheme would not be unprofitable. Hitherto the subscription is indeed flattering to me, as their Majesties of France and Prussia have each taken a copy. I also received a letter from my friend Prince Nicolaus Gallizin a few days ago, from Petersburg, in which this most amiable Prince mentions that H.M. the Emperor of Russia had become a subscriber, and that I should soon hear further on the subject from the Imperial Russian Embassy. Notwithstanding all this (and though there are some other subscribers), I have not yet realized as much as the sum a publisher offered me for it; the only advantage being that the work remains mine. The costs of copying are also great, and further increased by three new pieces being added, which, as soon as they are completed, I will send to Y.R.H. Perhaps you would not think it too much trouble to apply to H.R.H. the Grand Duke of Tuscany to take a copy of this Mass. The application was indeed made some time ago to the Grand Duke of Tuscany through the agent here, V. Odelga, who faithfully assured me that the proposal would be graciously accepted. I place no great faith, however, in this, as some months have elapsed, and no notice has been again taken of the application. As the affair is now set agoing, it is but natural that I should do all I can to attain my desired object. The undertaking was from the first disagreeable to me, and still more so to mention it to Y.R.H., or to allude to it at all, but "necessity has no law." I only feel grateful to Him who dwells above the stars that I now begin once more to be able to use my eyes. I am at present writing a new symphony for England,[4] bespoken by the Philharmonic Society, and hope it will be quite finished fourteen days hence. I cannot strain my eyes as yet long at a time; I beg therefore Y.R.H.'s indulgence with regard to your Variations,[5] which appear to me very charming, but still require closer revision on my part. Y.R.H. has only to persevere, especially to accustom yourself to write down your ideas at once at the piano, quickly and briefly. For this purpose a small table ought to be placed close beside the piano. By this means not only is the imagination strengthened; but you learn instantly to hold fast the most fugitive ideas. It is equally necessary to be able to write without any piano; and sometimes a simple choral melody, to be carried out in simple or varied phrases, in counterpoint, or in a free manner, will certainly entail no headache on Y.R.H., but rather, in finding yourself thus right amid the centre of art, cause you very great pleasure. The faculty of representing precisely what we wish and feel comes by degrees; an essential desideratum for a noble-minded man. My eyes warn me to conclude. With every kind and good wish for Y.R.H., I remain, &c., &c.
[K.]
POSTSCRIPT.
If Y.R.H. should confer the happiness of a letter on me, I beg you will address to me at Vienna, for I shall receive all my letters here safely forwarded by the post from there. If agreeable to Y.R.H., I would beg you to recommend the Mass to Prince Anton in Dresden,[6] so that the King of Saxony may subscribe to it, which he will, no doubt, do if Y.R.H. shows any interest in the matter. As soon as I know that you have actually done me this favor, I will forthwith apply to the General-Director there[7] of the Royal Theatre and of Music, whose office it is to arrange these things, and send him a request to procure a subscription from the King of Saxony, which I am reluctant to do without a recommendation from Y.R.H.
My opera, "Fidelio," was performed with much applause in Dresden at the festivities there in honor of the visit of the King of Bavaria, when their Majesties were all present. I received this intelligence from the above-named director-general, who asked me for the score through Weber, and afterwards sent me really a very handsome present in return. I hope Y.R.H. will excuse my intruding such a request on you, but Y.R.H. knows that I am not usually importunate. Should, however, the slightest obstacle arise to render my request disagreeable to you, I shall not be the less convinced of your generosity and kindness. Neither avarice, nor the love of speculation, which I have always avoided, prompted this scheme; but necessity compels me to use every effort to rescue my self from my present condition. Candor is best, for it will prevent my being too hardly judged. Owing to constant ill health, which has prevented my writing as usual, I have incurred a debt of 200 to 300 florins C.M.,[8] which can only be discharged by vigorous exertions on my part. If my subscription succeeds better than it has hitherto done, it will be an effectual help, and if my health improves, of which there is every hope, I shall be able once more to resume my compositions with fresh energy. In the mean time I trust Y.R.H. will not be offended by my candor. Had it not been the fear of being accused of not sufficiently bestirring myself, I would have persevered in my usual silence. As to the recommendation, I am at all events convinced that Y.R.H. is always glad to effect good results for others when possible, and that you are not likely to make any exception in my case.
[Footnote 1: This Sonata, Op. 111, dedicated to the Archduke Rudolph, was composed in 1822, and published by Schlesinger in the beginning of 1823.]
[Footnote 2: These Variations are, no doubt, the 33 C major Variations for pianoforte, Op. 120, on a waltz of Diabelli's, dedicated to Madame Brentano, composed in 1823, and published in the June of the same year.]
[Footnote 3: The Grand Mass in D.]
[Footnote 4: The symphony which Beethoven declared he had completed in fourteen days was the 9th in D minor, composed in 1822 or 1823, first performed on the 7th May, and published in 1826.]
[Footnote 5: The Archduke's Variations alluded to by Beethoven are not published or now known.]