LONDON:
printed for
W. SIMPKIN AND R. MARSHALL,
stationers'-hall court, ludgate street.
1828.
J. M'Creery, Tooks Court,
Chancery Lane, London.
CONTENTS
of
THE FIFTH VOLUME.
HISTORY OF PAINTING IN UPPER ITALY.
| BOOK THE THIRD. | ||
|---|---|---|
| BOLOGNESESCHOOL. | ||
| Page | ||
| Epoch I. | The ancient masters | [6] |
| Epoch II. | Various styles, from the time of Franciato that of the Caracci | [50] |
| Epoch III. | The Caracci, their scholars and theirsuccessors, until the time of Cignani | [96] |
| Epoch IV. | Pasinelli, and in particular Cignani,cause a change in the style of Bolognesepainting. The Clementine academy and itsmembers | [217] |
| BOOK THE FOURTH. | ||
| SCHOOL OFFERRARA. | ||
| Epoch I. | The ancient masters | [281] |
| Epoch II. | Artists of Ferrara, from the time of AlfonsoI. till Alfonso II., last of the Este family inFerrara, who emulate the best Italian styles | [301] |
| Epoch III. | The artists of Ferrara borrow differentstyles from the Bolognese school—Declineof the art, and an academy instituted in itssupport | [328] |
| BOOK THE FIFTH. | ||
| Epoch I. | The ancient masters | [359] |
| Epoch II. | Perino and his followers | [369] |
| Epoch III. | The art relapses for some time, and isre-invigorated by the works of Paggi andsome foreigners | [392] |
| Epoch IV. | The Roman and Parmesan succeed tothe native style—Establishment of an academy | [424] |
| BOOK THE SIXTH. | ||
| HISTORY OFPAINTING IN PIEDMONT AND THE ADJACENT TERRITORY. | ||
| Epoch I. | Dawn and progress of the art until the sixteenthcentury | [447] |
| Epoch II. | Painters of the seventeenth century, andfirst establishment of the academy | [466] |
| Epoch III. | School of Beaumont, and restoration ofthe academy | [483] |