In the matter of dress, if in no other, the name of the Empress Eugénie will be historical. It was within her province to decide what fashions should prevail in France, in Europe, in America, and in some parts of Asia; and the marvellous modes she introduced among the ladies of all countries have immortalized her. Her own costumes were of the most elaborate construction, and were changed with the greatest frequency. She displayed three or four dresses in the course of each day, and even the most expensive were never worn more than twice. Many writers derived their income from describing in the journals of the day these successive “creations” of the Paris milliner and dressmaker.

She accumulated a collection of fans, furs, laces, and jewels that probably surpassed any other in existence.

During the period that elapsed between her marriage and her flight she received twenty thousand dollars pin-money every month, which sum she never failed to spend to the last cent.

Never in modern times have the fashions been more elaborate and extravagant than while this “queen of fashion” occupied the palaces of France.

Eugénie was fitted by nature to play the part of Lady Bountiful and dwell in the House Beautiful. The city of Paris voted her a large sum for the purchase of jewels; she accepted the money, but requested permission to devote it to founding an institution for the education of young girls of the working classes. She further bestowed in charity twenty thousand dollars of a present of fifty thousand given her at the same time by the emperor; and her reign was marked by many other striking gifts to charitable and scientific objects.

The empress was partial to colored servitors. At one time she had a Nubian page, and on his death took a young Abyssinian into her service, whose daily duty it was to stand immediately behind her chair at dinner, in front of the line of tall, fresh-colored, clean-shaven, powdered lacqueys, in green, scarlet, and gold liveries, who encircled the imperial dining-table.

The empress gave also a great number of splendid and costly entertainments at the Tuileries, Compiègne, Fontainebleau, and elsewhere. State balls were numerous, especially during the latter years of the Empire. These took place usually at the Tuileries. The invitations, having been drawn up by the high chamberlain from a carefully prepared list of some ten thousand persons, were distributed by mounted servants in the imperial livery of green and gold.

The guests arrived at the vast marble vestibule, and, ascending the grand staircase, were received on the landing by a splendidly attired official, who took from them their cards of invitation. The ball took place in the Salle des Marcheaux, the largest and most splendidly decorated salon in the palace, and at its conclusion supper was served in the Galerie de Diane. All the old forms of etiquette in vogue at the court of Louis XIV. were revived; and had the Grand Monarque been present at a ball in the Tuileries Palace, he would no doubt have felt as much at home, as far as all forms and ceremonies were concerned, as in his own Galerie des Glaces, at Versailles.

Twice during the absence of the emperor, once in 1865, when he was in Algeria, and again in 1870, during the Franco-Prussian War, Eugénie was left the nominal head of the state, with the title of Empress-Regent. At the opening of the Suez Canal, in 1869, she was present in the yacht l’Aigle, and took a chief part in the celebration. The Aigle formed one of the “inauguration fleet” of forty-five vessels, and took the lead in making the passage to the Red Sea, where, with the empress on board, it arrived on the 22d of November, returning the next day to the Mediterranean.

“It was mid-afternoon on such a May day as is seen only under Parisian skies. But the invitation of the sky could not alone account for the multitudes thronging the leafy park, the blooming parterres of the gardens, and the broad ways of the Champs Élysées. The court was about to set out for St. Cloud, and the pleasure-loving Parisians were to be treated to a spectacle.