"With grace divine her soul is blest,
And heavenly Pallas breathes within her breast;
In wonderous arts than woman more renowned,
And more than woman with deep wisdom crowned.

HOMER.

It was the last market hour of Athens, when Anaxagoras, Philothea, and Eudora, accompanied by Geta, the favourite slave of Phidias, stepped forth into the street, on their way to Aspasia's residence.

Loud shouts of laughter came from the agoras, and the whole air was filled with the hum of a busy multitude. Groups of citizens lingered about the porticos; Egyptians, Medians, Sicilians, and strangers from all the neighbouring States of Greece, thronged the broad avenue of the Piræus; women, carrying upon their heads olive jars, baskets of grapes, and vases of water, glided among the crowd, with that majestic motion so peculiar to the peasantry in countries where this custom prevails.

Philothea drew the folds of her veil more closely, and clung timidly to her venerable protector. But neither this, nor increasing twilight, could screen the graceful maidens from observation. Athenians looked back as they passed, and foreigners paused to inquire their name and parentage.

In a few moments they were under the walls of the Acropolis, walking in the shadow of the olive groves, among god-like statues, to which the gathering obscurity of evening gave an impressive distinctness—as if the light departing from the world, stood petrified in marble.

Thence they entered the inner Ceramicus, where Aspasia resided. The building, like all the private houses of Athens, had a plain exterior, strongly contrasted by the magnificence of surrounding temples, and porticos. At the gate, an image of Hermes looked toward the harbour, while Phœbus, leaning on his lyre, appeared to gaze earnestly at the dwelling.

A slave, stationed near the door, lighted the way to the apartment where Aspasia was reclining, with a Doric harp by her side, on which she had just been playing. The first emotion she excited was surprise at the radiant and lucid expression, which mantled her whole face, and made the very blood seem eloquent. In her large dark eye the proud consciousness of intellect was softened only by melting voluptuousness; but something of sadness about her beautiful mouth gave indication that the heavenly part of her nature still struggled with earth-born passions.

A garland of golden leaves, with large drops of pearl, was interwoven among the glossy braids of her hair, and rested on her forehead.

She wore a robe of rich Milesian purple, the folds of which were confined on one shoulder within a broad ring of gold, curiously wrought; on the other they were fastened by a beautiful cameo, representing the head of Pericles. The crimson couch gave a soft flush to the cheek and snowy arm that rested on it; and, for a moment, even Philothea yielded to the enchantment of her beauty.

Full of smiles, Aspasia rose and greeted Eudora, with the ease and gracefulness of one long accustomed to homage; but when the venerable philosopher introduced his child, she felt the simple purity emanating from their characters, and something of embarrassment mingled with her respectful salutation.