was obliged to live without many things, which the least wealthy citizen of the United States would consider it absolutely necessary to provide for his household. Coffee and tea were unknown. Coaches were not used in England until 1680. Before that time ladies rode on horseback or on palfreys; and sometimes double, with another on the pillion. A fondness for perfumes was universal; they were usually kept burning in censers.
The word lady is supposed to have been derived from the Saxon word hlaf-dig, meaning a loaf-giver, from the custom of distributing bread among retainers, after a feast in baronial halls. It was customary to bind the tender limbs of infants in tight bandages.
After the sixteenth century, books or verses in praise of women gradually diminished; tournaments were abolished; and manners became less reserved and respectful. Ladies of rank began to throw aside the pedantry of learned languages, and acquire what the French call “the talent of society.” The French were the first to set the example of graceful accomplishments, and fascinating vivacity of manners; and they soon became, what they have ever since remained, “the glass of fashion” for other nations.
The beautiful Mary Stuart carried the gay and graceful refinements of Paris into the bleak atmosphere of Scotland, and Henrietta Maria, with her brilliant eyes, lively manners, and ever-changing caprices, made them fashionable in old England.
Under the commonwealth, society assumed a new and stern aspect. The theatres were shut; games shows, and amusements of every kind, were prohibited. Women were in disgrace, and love considered a sin to be expiated by fasting and prayer. It was everywhere reiterated from the pulpits that woman caused man’s expulsion from paradise, and ought to be shunned by Christians, as one of the greatest temptations of Satan. “Man,” said they, “is conceived in sin and brought forth in iniquity; it was his complacency in woman that wrought his first abasement; let him not therefore glory in his shame; let him not worship the fountain of his corruption.” Learning and accomplishments were alike discouraged; and women confined themselves to a knowledge of cookery, family medicines, and unintelligible theological disputes of the day.
The reign of Charles the Second was an era of shameless profligacy. Ladies of the court paid little regard to decorum, either in dress or manners; and men covered their selfish sensuality with just gloss enough not to defeat their own purposes. There never was a time when women were so much caressed and so little respected. It was then customary, when a gentleman drank a lady’s health, to throw some article of dress into the flames in her honor; and all his companions were obliged to sacrifice a similar article, whatever it might be. One of Sir Charles Sedley’s friends, perceiving that he wore a very rich lace cravat, drank to the health of a certain lady, and threw his own cravat in the fire. Sir Charles followed the example very good-naturedly, but observed that he too would have a joke sometime. Afterward, when he dined with the same party, he filled a bumper to some reigning beauty, and called a dentist to extract a decaying tooth, which had long pained him. Etiquette demanded that every one of the party should throw a tooth in the fire; and they yielded to necessity, after unavailing remonstrances against this cruel test of their gallantry. The practice of drinking in honor of ladies is said to have originated at the concerts of St. Cecilia. When the concert ended, the gentlemen retired to a tavern; and he, who could drink the most wine, acquired the right of naming the reigning toast for the ensuing year.
During the reign of the second Charles, women, instead of being approached with the respect paid to superior beings, became the objects of contemptuous satire. The despicable earl of Rochester set the example of this species of writing; and in succeeding reigns, it was followed by Pope, Swift, Young, and a multitude of ordinary writers. Pope says:
“Men some to pleasure, some to business take,
But every woman is at heart a rake.”
The objects of this wholesale bitterness have been disposed to palliate it, in consideration of the personal deformity of the poet, which made him magnanimously hate those whom he could not please.