Yet, on the other hand, she was frankly false to all of them, and hence arose these intervals. In one of them she fell in with a young Italian named Rocca, and by way of a change she not only amused herself with him, but even married him. At this time—1811—she was forty-five, while Rocca was only twenty-three—a young soldier who had fought in Spain, and who made eager love to the she-philosopher when he was invalided at Geneva.

The marriage was made on terms imposed by the middle-aged woman who became his bride. In the first place, it was to be kept secret; and second, she would not take her husband's name, but he must pass himself off as her lover, even though she bore him children. The reason she gave for this extraordinary exhibition of her vanity was that a change of name on her part would put everybody out.

"In fact," she said, "if Mme. de Stael were to change her name, it would unsettle the heads of all Europe!"

And so she married Rocca, who was faithful to her to the end, though she grew extremely plain and querulous, while he became deaf and soon lost his former charm. Her life was the life of a woman who had, in her own phrase, "attempted everything"; and yet she had accomplished nothing that would last. She was loved by a man of genius, but he did not love her to the end. She was loved by a man of action, and she tired of him very soon. She had a wonderful reputation for her knowledge of history and philosophy, and yet what she knew of those subjects is now seen to be merely the scraps and borrowings of others.

Something she did when she introduced the romantic literature into France; and there are passages from her writings which seem worthy of preservation. For instance, we may quote her outburst with regard to unhappy marriages. "It was the subject," says Mr. Gribble, "on which she had begun to think before she was married, and which continued to haunt her long after she was left a widow; though one suspects that the word 'marriage' became a form of speech employed to describe her relations, not with her husband, but with her lovers." The passage to which I refer is as follows:

In an unhappy marriage, there is a violence of distress surpassing all other sufferings in the world. A woman's whole soul depends upon the conjugal tie. To struggle against fate alone, to journey to the grave without a friend to support you or to regret you, is an isolation of which the deserts of Arabia give but a faint and feeble idea. When all the treasure of your youth has been given in vain, when you can no longer hope that the reflection of these first rays will shine upon the end of your life, when there is nothing in the dusk to remind you of the dawn, and when the twilight is pale and colorless as a livid specter that precedes the night, your heart revolts, and you feel that you have been robbed of the gifts of God upon earth.

Equally striking is another prose passage of hers, which seems less the careful thought of a philosopher than the screeching of a termagant. It is odd that the first two sentences recall two famous lines of Byron:

Man's love is of man's life a thing apart;
'Tis woman's whole existence.

The passage by Mme. de Stael is longer and less piquant:

Love is woman's whole existence. It is only an episode in the lives of men. Reputation, honor, esteem, everything depends upon how a woman conducts herself in this regard; whereas, according to the rules of an unjust world, the laws of morality itself are suspended in men's relations with women. They may pass as good men, though they have caused women the most terrible suffering which it is in the power of one human being to inflict upon another. They may be regarded as loyal, though they have betrayed them. They may have received from a woman marks of a devotion which would so link two friends, two fellow soldiers, that either would feel dishonored if he forgot them, and they may consider themselves free of all obligations by attributing the services to love—as if this additional gift of love detracted from the value of the rest!