Yet with all this she was not fine in texture, but hardy as a man. She could endure immense fatigue without yielding to it. Her supple form had the strength of steel. There was a gleam in her hazel eyes that showed her to be brimful of an almost fierce vitality. Young as she was, she was the mistress of a thousand arts, and she exhaled a sort of atmosphere that turned the heads of men. The Stuart blood made her impatient of control, careless of state, and easy-mannered. The French and the Tudor strain gave her vivacity. She could be submissive in appearance while still persisting in her aims. She could be languorous and seductive while cold within. Again, she could assume the haughtiness which belonged to one who was twice a queen.
Two motives swayed her, and they fought together for supremacy. One was the love of power, and the other was the love of love. The first was natural to a girl who was a sovereign in her own right. The second was inherited, and was then forced into a rank luxuriance by the sort of life that she had seen about her. At eighteen she was a strangely amorous creature, given to fondling and kissing every one about her, with slight discrimination. From her sense of touch she received emotions that were almost necessary to her existence. With her slender, graceful hands she was always stroking the face of some favorite—it might be only the face of a child, or it might be the face of some courtier or poet, or one of the four Marys whose names are linked with hers—Mary Livingstone, Mary Fleming, Mary Beaton, and Mary Seton, the last of whom remained with her royal mistress until her death.
But one must not be too censorious in thinking of Mary Stuart. She was surrounded everywhere by enemies. During her stay in France she was hated by the faction of Catherine de' Medici. When she returned to Scotland she was hated because of her religion by the Protestant lords. Her every action was set forth in the worst possible light. The most sinister meaning was given to everything she said or did. In truth, we must reject almost all the stories which accuse her of anything more than a certain levity of conduct.
She was not a woman to yield herself in love's last surrender unless her intellect and heart alike had been made captive. She would listen to the passionate outpourings of poets and courtiers, and she would plunge her eyes into theirs, and let her hair just touch their faces, and give them her white hands to kiss—but that was all. Even in this she was only following the fashion of the court where she was bred, and she was not unlike her royal relative, Elizabeth of England, who had the same external amorousness coupled with the same internal self-control.
Mary Stuart's love life makes a piteous story, for it is the life of one who was ever seeking—seeking for the man to whom she could look up, who could be strong and brave and ardent like herself, and at the same time be more powerful and more steadfast even than she herself in mind and thought. Whatever may be said of her, and howsoever the facts may be colored by partisans, this royal girl, stung though she was by passion and goaded by desire, cared nothing for any man who could not match her in body and mind and spirit all at once.
It was in her early widowhood that she first met the man, and when their union came it brought ruin on them both. In France there came to her one day one of her own subjects, the Earl of Bothwell. He was but a few years older than she, and in his presence for the first time she felt, in her own despite, that profoundly moving, indescribable, and never-to-be-forgotten thrill which shakes a woman to the very center of her being, since it is the recognition of a complete affinity.
Lord Bothwell, like Queen Mary, has been terribly maligned. Unlike her, he has found only a few defenders. Maurice Hewlett has drawn a picture of him more favorable than many, and yet it is a picture that repels. Bothwell, says he, was of a type esteemed by those who pronounce vice to be their virtue. He was "a galliard, flushed with rich blood, broad-shouldered, square-jawed, with a laugh so happy and so prompt that the world, rejoicing to hear it, thought all must be well wherever he might be. He wore brave clothes, sat a brave horse, and kept brave company bravely. His high color, while it betokened high feeding, got him the credit of good health. His little eyes twinkled so merrily that you did not see they were like a pig's, sly and greedy at once, and bloodshot. His tawny beard concealed a jaw underhung, a chin jutting and dangerous. His mouth had a cruel twist; but his laughing hid that too. The bridge of his nose had been broken; few observed it, or guessed at the brawl which must have given it to him. Frankness was his great charm, careless ease in high places."
And so, when Mary Stuart first met him in her eighteenth year, Lord Bothwell made her think as she had never thought of any other man, and as she was not to think of any other man again. She grew to look eagerly for the frank mockery "in those twinkling eyes, in that quick mouth"; and to wonder whether it was with him always—asleep, at prayers, fighting, furious, or in love.
Something more, however, must be said of Bothwell. He was undoubtedly a roisterer, but he was very much a man. He made easy love to women. His sword leaped quickly from its sheath. He could fight, and he could also think. He was no brawling ruffian, no ordinary rake. Remembering what Scotland was in those days, Bothwell might well seem in reality a princely figure. He knew Italian; he was at home in French; he could write fluent Latin. He was a collector of books and a reader of them also. He was perhaps the only Scottish noble of his time who had a book-plate of his own. Here is something more than a mere reveler. Here is a man of varied accomplishments and of a complex character.
Though he stayed but a short time near the queen in France, he kindled her imagination, so that when she seriously thought of men she thought of Bothwell. And yet all the time she was fondling the young pages in her retinue and kissing her maids of honor with her scarlet lips, and lying on their knees, while poets like Ronsard and Chastelard wrote ardent love sonnets to her and sighed and pined for something more than the privilege of kissing her two dainty hands.