The Lithica of Orpheus.
Orpheus is another author more cited than preserved by classical antiquity. Pliny called him the first writer on herbs and suspected him of magic. Ernest Riess affirms that Rohde (Psyche, p. 398) “has abundantly proved that Orpheus’ followers were among the chief promulgators of purifications and charms against evil spirits.”[1313] Among poems of some length extant under Orpheus’ name the one of most interest to us is the Lithica, where in 770 lines the virtues of some thirty gems are set forth with considerable allusion to magic.[1314] The authorship is uncertain, but the verse is supposed to follow the prose treatise by Damigeron who lived in the second century B. C. The date of the poem is now generally fixed in the fourth century of our era, although King[1315] argued for an earlier date. I agree with him that the allusion in lines 71-74 to decapitation on the charge of magic is, taken alone, too vague and blind to be associated with any particular event or time; editors since Tyrwhitt have connected it with the law of Constantius against magic and the persecution of magicians in 371 A. D. But King’s contention that the Lithica is by the same author as the Argonautica, also ascribed to Orpheus, and is therefore of early date, falls to the ground since the Argonautica, too, is now dated in the fourth century.
Argument of the poem.
The Lithica opens by representing Hermes as bestowing upon mankind the precious lore of the marvelous virtues of gems. In his cave are stored stones which banish ghosts, robbers, and snakes, which bring health, happiness, victory in war and games, honor at courts and success in love, and which insure safety on journeys, the favor of the gods, and enable one to read the hidden thoughts of others and to understand the language of the birds as they predict the future. Few persons, however, avail themselves of this mystic lore, and those who do so are liable to be executed on the charge of magic. After this introduction, which may be regarded as a piquant appetizer to whet the reader’s taste for further details, the virtues of individual stones are described, first in the words of Theodamas, a wise and divine man[1316] whom the author meets on his way to perform annual sacrifice at an altar of the Sun, where as a child he narrowly escaped from a deadly snake, and then in a speech of the seer Helenus to Philoctetes which Theodamas quotes. Greek gods are often mentioned; as the poem proceeds the virtues of a number of gems are attributed to Apollo rather than Hermes; and there are allusions to Greek mythology and the Trojan war. Some gems are found in animals, for instance, in the viper or the brain of the stag.
Magic powers of stones.
Let us turn to some examples of the marvelous virtues of particular stones. The crystal wins favorable answers from the gods to prayers; kindles fire, if held over sticks, yet itself remains cold; as a ligature benefits kidney trouble. Sacrifices in which the adamant is employed win the favor of the gods; it is also called Lethaean because it makes one forget worries, or the milk-stone (galactis) because it renews the milk of sheep or goats when powdered in brine and sprinkled over them. Worn as an amulet it counteracts the evil eye and gains royal favor for its bearer. The agate is an agricultural amulet and should be attached to the plowman’s arm and the horns of the oxen. Other stones help vineyards, bring rain or avert hail and pests from the crops. Lychnis prevents a pot from boiling on a fire and makes it boil when the fire is dead. The magnet was used by the witches Circe and Medea in their spells; an unchaste wife is unable to remain in the bed where this stone has been placed with an incantation. Other stones cure snake-bite and various diseases, serve as love-charms or aids in child-birth, or counteract incantations and enchantments.
Magic rites to gain powers of divination.
To make the gem sideritis or oreites utter vocal oracles the operator must abstain for three weeks from animal food, the public baths, and the marriage bed; he is then to wash and clothe the gem like an infant and employ various sacrifices, incantations, and illuminations. The gem Liparaios, known to the learned Magi of Assyria, when burnt on a bloodless altar with hymns to the Sun and Earth attracts snakes from their holes to the flame. Three youths robed in white and carrying two-edged swords should cut up the snake who comes nearest the fire into nine pieces, three for the Sun, three for the earth, three for the wise and prophetic maiden. These pieces are then to be cooked with wine, salt, and spices and eaten by those who wish to learn the language of birds and beasts. But further the gods must be invoked by their secret names and libations poured of milk, wine, oil, and honey. What is not eaten must be buried, and the participants in the feast are then to return home wearing chaplets but otherwise naked and speaking to no one whom they may meet. On their arrival home they are to sacrifice mixed spices. It will be recalled that Apollonius of Tyana and the Arabs also learned the language of the birds by eating snake-flesh.
Powers of gems compared with herbs.
Thus gems are potent in religion and divination, love-charms and child-birth, medicine and agriculture. The poem fails, however, to touch upon their uses in alchemy or relations to the stars, nor does it contain much of anything that can be called necromancy. But the author ranks the virtues of stones above those of herbs, whose powers disappear with age. Moreover, some plants are injurious, whereas the marvelous virtues of stones are almost all beneficial as well as permanent. “There is great force in herbs,” he says, “but far greater in stones,”[1317] an observation often repeated in the middle ages.