The Simonians, according to Irenaeus, were as addicted to magic as their founder had been, employing exorcisms and incantations, love-philters and enchantments, familiar spirits and “dream-senders.” “And whatever other curious arts may be resorted to are eagerly employed by them.” Menander, the immediate successor of Simon in Samaria, was “a perfect adept in the practice of magic” and taught that by means of it one could overcome the angels who had created this world.[1624] In a treatise on rebaptism, falsely ascribed to Cyprian but very likely contemporary with him, it is stated that the Simonians regard their baptism as superior to that of orthodox Christians, because when they descend into the water fire appears upon its surface. The writer thinks that this is done by some trick, or that there is some natural explanation of it, or that they merely imagine that they see a flame on the water, or that it is the work of some evil one and of magic power.[1625] Epiphanius states that Simon employed such obscene substances as semen and menstruum in his magic,[1626] but this seems to be a slander, at least against Gnosticism, since in a passage of the Gnostic Book of the Saviour, adjoined to the Pistis-Sophia, Thomas asks Jesus what shall be the punishment of men who eat “semen maris et menstruum feminae” mixed with lentils, saying as they do so, “We believe in Esau and Jacob,” and is told that this is the worst of sins and that the souls of those committing it will be absolutely blotted out.[1627]
Magic of Marcus in the Eucharist.
Next to Simon Magus, Marcus was the Gnostic and heretic most notorious as a practitioner of the magic arts, as Irenaeus states at the close of the second century, and Hippolytus and Epiphanius repeat in the third and fourth centuries respectively.[1628] In performing the Eucharist he would change white wine placed in three wine cups into three different colors, one blood-red, one purple, and one dark blue, according to Epiphanius, while Irenaeus and Hippolytus more vaguely state, although they lived closer to Marcus’s time, that he gave the wine a purple or reddish hue as if it had been changed into blood, an alteration which Marcus himself regarded as a manifestation of divine grace. Epiphanius attributes the change to an incantation muttered by Marcus while pretending to perform the Eucharist. Hippolytus, who ascribes Marcus’s feats partly to sleight-of-hand and partly to demons, in this case charges that he furtively dropped some drug into the wine. Marcus was also accustomed to fill a large cup from a smaller one so that it would overflow, a marvel which Hippolytus again tries to account for by stating that “very many drugs, when mingled in this way with liquid substances” temporarily increase their volume, “especially when diluted in wine.”
Other magic and occult lore of Marcus.
Irenaeus, who is quoted verbatim by Epiphanius, further states that Marcus had a familiar demon by whose aid he was able to prophesy, and that he pretended to confer this gift upon others. He also accuses Marcus of seducing women by means of philters and love potions which he compounded. Hippolytus does not make these charges, but unites with the others in describing at length Marcus’s theory of mystic names and his symbolical and mystical interpretation of the letters of the alphabet and of numbers. Marcus made various calculations based upon the number of letters in a name, the number of letters in the name of each letter, and so on. When Christ, whose ineffable name has thirty letters, said, “I am Alpha and Omega,” He was believed by Marcus to have displayed the dove, whose number is 801. These reveries “are mere bits,” as Hippolytus says, of astrological theory and Pythagorean philosophy. We shall find them perpetuated in the middle ages in the method of divination known as the Sphere of Pythagoras.
Name and number magic.
Such symbolism and mysticism concerning numbers and letters seldom indeed remain a matter of mere theory but readily lend themselves to operative magic. Thus Hippolytus can speak in the same breath of “magical arts and Pythagorean numbers” or tell that Pythagoras himself “also touched on magic, as they say, and himself discovered an art of physiognomy, laying down as a basis certain numbers and measures.” Or note a third passage where Hippolytus is discussing Egyptian theology based on the theory of numbers.[1629] After treating of the monad, duad, and enneads, of the four elements in pairs, of the 360 parts of the circle, of “ascending and beneficent and masculine names” which end in odd numbers, and of feminine and malicious and descending names which terminate in even numbers, Hippolytus continues, “Moreover, they assert that they have calculated the word, ‘Deity.’ Now this name is an even number, and they write it down and attach it to the body and accomplish cures by it. In the same way an herb which terminates in this number is bound around the body and operates by reason of a similar calculation of the number. Nay, even a doctor cures the sick by such calculations.“ Similarly Censorinus states that the number seven is ascribed to Apollo and used in the cure of bodily ills, while nine is associated with the Muses and heals mental diseases.[1630] But to return to Gnosticism.
The magic vowels.
The seven vowels were much employed by the Gnostics, undoubtedly as symbols for the seven planets and the spirits associated with them, but as symbols possessed of magic power as well as of mystic significance. “The Saviour and His disciples are supposed in the midst of their sentences to have broken out in an interminable gibberish of only vowels; magic spells have come down to us consisting of vowels by the fourscore; on amulets the seven vowels, repeated according to all sorts of artifices, form a very common inscription.”[1631] As the seven planets made the music of the spheres, so the seven vowels seem to have represented the musical scale, “and many a Gnostic sheet of vowels is in fact a sheet of music.”[1632]
Magic of Carpocrates.