The remainder of Michael’s lengthy and lumbering preface is largely occupied with the utility of astrology, which he often calls “astronomy” (astronomia), and differentiation of it from prohibited arts of magic and divination. While, however, he distinguishes these other occult arts from astrology, he affirms that nigromancers, practitioners of the notory art, and alchemists owe more to the stars than they are ready to admit.[1007] He also distinguishes a superstitious variety of astrology (superstitiosa astronomia),[1008] under which caption he seems to have in mind divination from the letters of persons’ names and the days of the moon, and other methods in which the astronomer or astrologer acts like a geomancer or sorcerer or tries to find out more than God wills. Scot also distinguishes between mathesis, or knowledge, and matesis, or divination, and between mathematica, which may be taught freely and publicly, and matematica, which is forbidden to Christians.[1009]
The magic arts.
Michael condemns magic and necromancy but takes evident joy in telling stories of magicians and necromancers and shows much familiarity with books of magic. He explains “nigromancy” as black art, dealing with dark things and performed more by night than day, as well as the raising of the dead to give responses, in which the nigromancer is deceived by demons.[1010] He repeats Hugh of St. Victor’s definition that the magic art is not received in philosophy, destroys religion, and corrupts morals. As he has said before, the magus is a trickster and evil-doer as well as wise in the secrets of nature and in prediction of the future.[1011] Michael lists twenty-eight varieties or methods of divination. He believes that they are all true: augury by song of birds, interpretation of dreams, observance of days, or divination by holocausts of blood and corpses. But they are forbidden as infamous and evil. Later on, in the text itself, he returns to this point, saying that these methods of predicting the future are against the Christian Faith, but nevertheless true, like the marvels of Simon Magus.[1012] Michael defines and describes various magic arts in much the same manner as Isidore, Hugh of St. Victor, and John of Salisbury; but with some divergences. Under aerimancy he includes divination from thunder, comets, and falling stars, as well as from the shapes assumed by clouds. Hydromancy he calls “a short art of experimenting” as well as divining. The gazing into clear, transparent, or liquid surfaces for purposes of divination is performed, he says, with some observance of astrological hours, secrecy, and purity by a child of five or seven years who repeats after the master an incantation or invocation of spirits over human blood or bones. He speaks of a maleficus as one who interprets characters, phylacteries, incantations, dreams, and makes ligatures of herbs. The praestigiosus deceives men through diabolic art by phantastic illusions of transformation, such as changing a woman into a dog or bear, making a man appear a wolf or ass, or causing a human head or limb to resemble that of some animal. Even alchemy, or perhaps only the superstitious practice of it, Michael seems to classify as a forbidden magic art, saying, “Alchemy as it were transcends the heavens in that it strives by the virtue of spirits to transmute common metals into gold and silver and from them to make a water of much diversity,” that is, an elixir. Lot-casting, on the other hand, both the authority of Augustine and many passages in the Bible pronounce licit.
Experiments of magic.
Michael more than once ascribes an experimental character to magic arts. Besides calling hydromancy “a short art of experimenting,” he states that, since demons are naturally fond of blood and especially human blood, nigromancers or magicians, when they wish to perform experiments, often mix water with real blood or use wine which has been exorcized in order to make it appear bloody. “And they make some sacrifice with the flesh of a living human being, for instance, a bit of their own flesh, or of a corpse, and not the flesh of brutes, knowing that consecration of a spirit in a bottle or ring cannot be achieved except by the performance of many sacrifices.”[1013] Despite his censure of the art in the preface under discussion, we find a necromantic experiment of an elaborate character ascribed to Michael Scot in a fifteenth century manuscript[1014] which purports to copy it “from a very ancient book,”[1015] a phrase which scarcely increases our confidence in the genuineness of the ascription. The object of the experiment is to secure the services of a demon to instruct one in learning. Times and astrological conditions are to be observed as well as various other preliminaries and ceremonies; a white dove is to be beheaded, its blood collected in a glass vessel, a magic circle drawn with its bleeding heart; and various prayers to God, invocations of spirits, and verses of the Bible are to be repeated. At one juncture, however, one is warned not to make the sign of the cross or one will be in great peril.
History of astronomy.
But to return to Michael’s magnum opus. The preface closes with a rather long and very confused[1016] account of the history of astronomy and astrology. While Zoroaster of the lineage of Shem was the inventor of magic, the arts of divination began with Cham, the son of Noah, who was both of most subtle genius and trained in the schools of the demons. He tested by experience what they taught him and having proved what was true, indited the same on two columns and taught it to his son Canaan who soon outstripped his father therein and wrote thirty volumes on the arts of divination and instructed his son Nemroth in the same. When Canaan was slain in war and his books were burned, Nemroth revived the art of astronomy from memory and was, like his father, deemed a god by many because of his great lore. He composed a work on the subject for his son Ionicon,[1017] whose son Abraham also became an adept in the art and came from Africa to Jerusalem and taught Demetrius and Alexander of Alexandria, who in turn instructed Ptolemy, king of Egypt, who invented astronomical canons and tables and the astrolabe and quadrant. The giant Atlas brought the art to Spain before Moses received the two tables containing the ten commandments. If this chronology surprises us, there is something more amazing to follow. At this point in the manuscript the copyist has either omitted a great deal[1018] or Atlas was extremely long-lived, since we next read about his showing the astrolabe to two “clerks of France.” Gilbertus (presumably Gerbert) borrowed the instrument for a while, conjured up demons—for he was the best nigromancer in France, made them explain its construction, uses, and operation to him, and furthermore all the rest of astronomy. Later he reformed and had no more dealing with demons and became bishop of Ravenna and Pope. Having thus got rather ahead of time, Michael mentions various other learned astronomers, most of whom really lived before Gerbert, such as Thebit ben Corat, Messahalla, Dorotheus, Hermes, Boethius, Averroes, John of Spain, Isidore, Zahel, and Alcabitius.
The spirits in the sky, air, and earth.
Having finally terminated his preface, Michael begins the first book with a description of the heavens and their motion. Some say that the planets are moved by angels; others, by winds; but he holds that they are ruled by divine virtues, spiritual and not corporeal, but of whom little further can be predicated, since they are imperfectly known to man and naturally will remain so.[1019] Later he states that they do not move or rule the celestial bodies naturally but as a service of obedience to their Creator.[1020] He has already spoken in the preface of spirits in the northern and southern air, and asserted that very wise spirits who give responses when conjured dwell in certain images or constellations among the signs of the zodiac.[1021] In the Liber particularis he speaks of similar demons in the moon.[1022] Now he mentions “a legion of spirits damned” in the winds.[1023] In later passages in the Liber introductorius he gives the names of the ruling spirits of the planets, Kathariel for Saturn,[1024] and so on, and a list of the names of spirits of great virtue who, if invoked by name, will respond readily and perform in marvelous wise all that may be demanded of them.[1025] And as the planets are said to have seven rectors who are believed to be the wisest spirits in the sky, so the seven metals are said to have seven rectors who are believed to be angels in the earth.[1026] Names of angels also occur in some of his astrological diagrams.[1027] This education of the reader in details of astrological necromancy shows that Michael is not to be depended upon to observe consistently the condemnation of magic and distinction between astrology and necromancy with which he started out in the preface.
Occult medicine.