There was, moreover, a constant corrective at hand in the persons of the local wits, among whom Longfellow’s brother-in-law, Thomas Gold (“Tom”) Appleton, was of the most clear-sighted. His definition of Nahant as “cold roast Boston,” and his prescription for tempering the gales on a particularly windy Boston corner by tethering a shorn lamb there, have secured him something more than a local survival. He frequently left his mark on the pages of Mrs. Fields’s diary—once venturing seriously into prophecy on the spiritual future of Boston, in terms which will seem, at least, in partibus infidelium, to have received a certain confirmation at the hands of time. In the diary the following entry is found:—
Sunday, November 6, 1870.—Appleton (Tom, as the world calls him) came in soon after breakfast Sunday morning. He talked very wisely and brilliantly upon Art, its value and purpose to the state, the necessity for the Museum. He said our people were far more literary than artistic. The sensuous side of their nature was undeveloped. The richness of color, the glory of form, was less to them than something which could set the sharp edge of their intellect in motion. “Besides, what is Boston going to do,” he said, “when these fellows die who give it its honor now, Longfellow, Holmes, and the rest? They can’t live forever, and with them its glory will depart without it is sustained by a foundation for art in other directions. Harvard University will do something to keep it up, but not much, and unless a distinct effort be made now, Boston will lose its place and go behind.” He became much excited by the lack of appreciation for William Story in Boston, and the abuse of the Everett statue, which he considers good in its way and as marking the highest point in Everett’s oratorical fame, that is, when he lifted his hand to indicate the stars in his address at Albany, and set his fame some points nearer the luminaries which inspired him, by his fine eloquence.
He said a merchant told him one day that he didn’t like Story’s portrait statues, but his ideal work he was delighted with. “You lie!” I said to him. “The beautiful Shepherd-Boy which I helped to buy and bring to Boston you know nothing of—you can’t tell me now in which corner of the Public Library it is hidden away. I tell you, you lie!”
He spoke of the Saturday Club, and said that, although he sometimes smiled at Holmes’s enthusiasm over it, he believed in the main he was quite right, and it would be remembered in future as Johnson’s Club has been, and recorded and talked of in the same way.
Unfortunately I don’t see their Boswell. I wish I could believe there was a single chiel amang them takin’ notes.[20]
On December 14, 1870, the diary recorded a dinner at which Longfellow, Osgood, Aldrich, Holmes, Dana, Howells, Lowell, and Bayard Taylor were the guests. It celebrated the completion of Taylor’s translation of “Faust.” Of the talk of Lowell and Longfellow, Mrs. Fields wrote:—
Before dinner I found opportunity for a short talk with Lowell upon literature. He thinks the chief value of Bret Harte is his local color and it would be a fatal mistake for him to come East, in spite of Taylor’s representation of the aridity of intellectual life now in California. Taylor finds the same reason for leaving his native place. He regrets his large house, and frankly says he is tired of living there, tired of living alone, there being really no one in the vicinity with whom he can associate as on equal grounds. There is no culture, not even a love for it, in the neighborhood.
But I have not said half enough of Longfellow. He scintillated all the evening, was filled with the spirit of the time and the scene, sweetly reprimanded Taylor for not having time to give him a visit also, darted his jeux d’esprit rapidly right and left, often setting the table in a roar, a most unusual thing with him. Holmes at the other end was talking about the natural philosophers who “invented facts.” Lowell took exception, said it was an impossible juxtaposition of ideas and words. Holmes defended himself by quoting (I think the name was Carius; whoever it was, Lowell said at once and rather warningly, he is a very distinguished name) a series of created facts by which he said a woman was not articulated or not as a man is (perhaps I have not his exact ideas); whereat Longfellow at once held up the inarticulate woman to the amusement of the table. Then they began to talk of the singular persons this world contains, “quite as strange as Dickens,” as they always say; and Taylor, who introduced the subject, proceeded to relate an incident which happened to him in a cheap coffee house in New York. It was near a railway station, so he dropped in, finding it convenient so to do, at an hour not usually popular with the frequenters of such establishments. It was empty save for an extraordinary figure with long arms, short legs and misshapen body, who, hearing a glass of ale ordered, came forward and said if he pleased he would like to have his ale at the same table for the sake of company. There was nothing to do but to comply, which Taylor of course did, whereupon the strange creature, never asking who Taylor was, went on to relate that he was the great man-monkey of the world who could hang from a tree and eat nuts and make the true noise in the throat better than any other; he had no competitor except one of the Ravel brothers, but he (Ravel) was not the real thing; he himself alone could make the noise perfectly....
They all drank the exquisite Ehrbacher Rhine wine from tall green German glasses of antique form, which delighted them greatly. Jamie was much entertained by Holmes’s finding them “good conversational aperient, but ugly. I should always have them on the table, but they are not handsome.” Longfellow was delighted with my Venetian lace bodice; it seemed to have a flavor of Venice about it in his eyes. It was a real pleasure to me to see his appreciation of a thing Jamie and I really enjoy so much.