September 23, 1866.—Edwin Booth and the Aldriches came to tea; also Tom Beal and Professor Sterry Hunt of Montreal, the latter late. Booth came in the twilight while a magnificent red and purple and gold sunset was staining the bay. The schooners anchored just off shore had already lighted their lanterns and swung them in the rigging, and the full moon cast a silver sheen over the scene. I hear he passes every Sunday morning while here at the grave of his wife in Mt. Auburn. He seems deeply saddened. He was very pleasant, however, and ready to talk, and gave amusing imitations—in particular of his black boy, Jan, who possesses, he says, the one accomplishment of forgetting everything he ought to remember. One day a man with a deep tragic voice, “Forrestian,” he said, came to him with letters of introduction asking Mr. Booth to assist him as he was about to go to England. Mr. B. told him he knew no one in England and could do nothing for him, he was sorry. If he ever found it possible to do him a service he would with pleasure. With that Mr. B. turned,—they were in the vestibule of the theatre—and entered the box-office to speak to someone there; immediately he heard the deep voice addressing Jan with “You are with Mr. Booth.” “Yes,” responded Jan with real negro accent, “I’m wid Mr. Booth.” “In what capacity—are you studying?” “Yaas,” returned Jan, unblushingly, “I’se studyin’.” “What are you upon now?” “Oh, Richelieu, Hamlet, an’ a few of dese yer.” “Ah, I should be pleased to enter into correspondence with you while I am abroad. Would you have any objections?” “Oh, no, no objection, no objection at all.” “Thank you, sir; good-day, sir.” With that they parted and Jan came with his mouth stretched wide with laughter. “Massa, what is ‘correspond’? I told him I’d correspond, what’d he mean, correspond?” Then Jan, convulsed with his joke, roared and roared again. They are surely a merry race, but provoking enough sometimes. They are capable of real attachments, however; this man has been several times dismissed but will not go. Booth told everything very dramatically, but I was especially struck with his description of a man travelling with two shaggy terrier pups in the cars. He had them in a basket and hung them up over his head and then composed himself to sleep. Waking up half an hour later, he observed a man on the opposite side of the car, his eyes starting from his head and the very picture of dismay, as if a demon were looking at him. The owner of the pups, following the direction of the man’s eyes, looked up and saw the two pups had their heads out of the basket. He quietly made a sign for them to go back and they disappeared. The man’s gaze did not apparently slacken, however, but in a moment became still more horrified when the pups again looked out. “What’s the matter?” said the owner. “What are those?” said the man, pointing with trembling finger; “pray excuse me, but I have been on a spree and I thought they were demons.” He introduced the subject of the stage and talked of points in “Hamlet,” which he had made for the first time, but occasionally through accident had omitted. The next day he will be sure to be asked by letter or newspaper why he omits certain points which would be so excellent to make, the writer thinks. He has had a life of strange vicissitudes, as almost all actors. He referred last night to his frequent travels during childhood over the Alleghanies with his father, of long nights spent in this kind of travel; and once in Nevada he walked fifty miles chiefly through snow. “Why?” said Lilian. “Because I was hard up, Lily,” he continued; “I walked it too in stage boots which were too tight—it was misery.” ...
They had all gone by half-past ten, but we lay long awake thinking over poor Booth and his strange sad fortune. Hamlet, indeed!—although Forceythe Willson says, “I have been to see Mr. Hamlet play Booth.” Yes, perhaps when he is playing it for the 400th time with a bad cold, it may seem so; indeed I found it dullish myself, or his part, I mean, the other night; but he did play it once—the night of his reappearance in New York.
BOOTH AS HAMLET
May 18, 1869.—Last Sunday evening Booth, Aldrich and his wife and sister, Dr. Holmes and Amelia and Launt Thompson, Leslie and ourselves took tea here together. In the evening came Mr. and Mrs. Emerson. We did have a rare and delightful symposium. Booth talked little as usual, and the next night went round to Aldrich’s and took himself off as he behaves in company!! Nevertheless he was glad to see Holmes, though every time Dr. H. addressed him across the table he seemed to receive an electric shock.
A chance meeting between William Warren and Fields in a lane at the seaside Manchester is recorded, with their talk, in the diary as early as 1865. Two entries in 1872 have to do with Jefferson, first alone and then with Warren. The friendship with Jefferson, begun so long ago, was continued until his death.
Tuesday, March 18, 1872.—Left Boston for a short trip to New York. Jefferson the actor, famous throughout the world for his impersonation of “Rip Van Winkle,” was on the train and finding us out (or J. him), came to our compartment car to pass the day. He talked without cessation and without effort. He described his sudden disease of the eyes quite bravely and simply, from the use of too much whiskey. He said the newspapers had said it was the gas, and many other reasons had been assigned first and last; but he firmly believed there was no other reason than too much whiskey. He had taken the habit—when he was somewhat below his ordinary physical and mental condition in the evening and wished to rise to the proper point and “carry the audience”—of taking a small glass of whiskey. This glass was after a time made two, and even three or four. Finally he was stricken down by a trouble of the eyes which threatened the entire extinction of sight. His physician at once suggested that unnatural use of stimulants was the cause, of which he himself is now entirely convinced and no longer touches anything stronger than claret. He has played to a larger variety of audiences probably than almost any other great actor. The immense applause he received in England, where he played 170 consecutive nights at the Adelphi in London, always as “Rip,” has only served to make him more modest, it would seem, more desirous to uphold himself artistically. He gave us a hint of his taste for fishing and described his trout-raising establishment in Jersey; very curious and wonderful it was. Nature preserves only one in a hundred of the eggs of trout to come to maturity. Mr. Jefferson in his pond is able to raise 85 out of 100. There seems no delight to him so great as that of sitting beside a stream on a sunny day, line in hand.
Talking of the everlasting repetition of “Rip,” he says he should be thankful to rest himself with another play, but this has been a growth and it would be a daring thing for him to attempt anything new with a public who would always compare him with himself in this play which is the result of years of his best thought and strength. I think myself, if he were quite well he would be almost sure to attempt something else. He told us several stories very dramatically. He is an odd, carelessly dressed little mortal, a cross between Charles Lamb and Grimaldi, but we have seldom passed a more delightful day of talk than with him. The hours absolutely fled away.
Wednesday, May 22, 1872.—Mr. Longfellow, Dr. Holmes, and Jefferson and Warren, the two first comedians of our time, dined here. The hour was three o’clock, to accommodate the two professional gentlemen. The hours until three, with the exception of two visits (Miss Sara Clarke and Miss Wainwright in spite of saying “engaged”), were occupied in making preparations for the little feast. I mean the hours after breakfast until time to dress. (Of hours before breakfast I have now-a-days nothing to say. I am not strong enough to do anything early, but country life this summer is to change all that.) Mr. Jefferson and Mr. Warren arrived first. Finding much to interest them in the pictures of our lower room, they lingered there a few moments before coming to the library, when we talked of Marney’s pictures (Mr. J. owns some of his water-colors) and looked about at others. Soon Longfellow came with Jamie. He said he felt like one on a journey. He left home early in the morning, had been sight-seeing in Boston all day, was to dine and go to the theatre with us afterward.