Other readers say that Dante’s astronomy is so entirely false and obsolete that it is not worth study. This is hardly true. Where Dante speaks of appearances he is remarkably accurate, far more so than most modern artists and writers of fiction. Where he speaks of the heavens as he supposes them actually to exist, he is interpreting the appearances according to the astronomical theories of his day, with which he was very well acquainted. This interpretation was not correct, but it was an ingenious and beautiful system, and very successful in so far as it enabled astronomers to calculate the positions of sun, moon, stars, and planets for any date. Its main outlines can be explained in a few pages, with the help of a couple of diagrams, but when presented thus, especially to those unfamiliar with the skies, it seems very strange and artificial. To appreciate it at its true worth, we must know just what are the phenomena it was intended to explain, and trace its gradual development out of man’s first clear perception that the movements of sun, moon, and stars follow unchanging laws.
The story of this development is of enthralling interest, and after the system had been completed by one of the greatest mathematicians the world has seen, its later history reads like a romance. Though of classical Greek origin, it was almost wholly lost to Europe for many centuries, it returned at last in Oriental dress, and its final form was given by a devout and learned Dominican friar.
It was at this time that Dante was born, and the scholar-poet immortalized the Ptolemaic system of astronomy in his verse, adding to its popularity in his own day, and making it known to thousands of readers since, who might otherwise scarcely have heard of it.
Dante’s astronomy, therefore, is of wide and deep significance. To study its history is to learn a chapter in the development of the human intellect; to see the universe with his eyes is to know how it appeared, not only to his contemporaries but to men in many lands and many centuries. The system of Ptolemy was already a thousand years old when Dante studied it, and it continued to be taught long after Copernicus had introduced a truer one; nor has it ever been completely swept away, for much that it taught was accurate. The new astronomy has developed from the old, and bears traces to this day, in its phraseology, its written symbols, and its methods, of the many races and ages which have contributed to its progress.
This book, therefore, is divided into two parts. In the first, I put before my readers the elementary facts which form the foundations upon which all astronomy is based, the movements of sun, moon, stars, and planets, so far as they can be easily observed by the naked eye; then follows a sketch of the attempts which were made to interpret these observations from very early days until Dante’s time. Unnecessary technicalities are avoided, but we shall try to enter into the thoughts of past generations concerning the stars, to see why they were interested, how they worked, what hindered and what helped them in their search for truth.
In the second part, we shall examine Dante’s works, and see how familiar he was with the movements of the skies, and how well he understood the theories which in his time were held to explain them. We shall see how astronomy was generally regarded in his day, what books he read, and which authors influenced him most. We shall see how false is the assertion often made that in the Middle Ages men studied astronomy only for the sake of astrology, and how closely the science of the stars was connected with religion and the loftiest speculations of philosophy.
We shall also examine in particular some difficult passages connected with astronomy which occur in Dante’s works, but my aim is not so much to explain all the astronomical references as to put the reader in a position to attempt an explanation himself.
My greatest ambition is to share with others the pleasure I have had in learning what Dante knew and thought about the stars, and who were the master builders who had erected through the ages the system so vividly pictured in his immortal poem.