“A priest has been sent for. It’s astonishing how quickly the end came. I was amazed. But latterly he caught cold, you know, and that was what did it. Here we are.”
Riasantzeff opened a white door and went in, the others following in awkward fashion as they pushed against each other on the threshold.
The room was clean and spacious. Four of the six beds in it were empty, each one having its coarse grey coverlet folded neatly, and strangely suggestive of a coffin. On the fifth bed sat a little wizened old man in a dressing-gown, who glanced timidly at the newcomers; and on the sixth bed, beneath a similar coarse coverlet, lay Semenoff. At his side, in a bent posture, sat Novikoff, while Ivanoff and Schafroff stood by the window. To all of them it seemed odd and painful to shake hands in the presence of the dying man, yet not to do so seemed equally embarrassing, as though by such omission they hinted that death was near. Some greeted each other, and some refrained, while all stood still gazing with grim curiosity at Semenoff.
He breathed slowly and with difficulty. How different he looked from the Semenoff they knew! Indeed, he hardly seemed to be alive. Though his features and his limbs were the same, they now appeared strangely rigid and dreadful to behold. That which naturally gave life and movement to the bodies of other human beings no longer seemed to exist in his. Something horrible was being swiftly, secretly accomplished within his motionless frame, an important work that could not be postponed. All that remained to him of life was, as it were, concentrated upon this work, observing it with keen, inexplicable interest.
The lamp hanging from the ceiling shone clearly upon the dying man’s lifeless visage. All standing there gazed upon it, holding their breath as if fearing to disturb something infinitely solemn; and in such silence the laboured, sibilant breathing of the patient sounded terribly distinct.
The door opened, and with short, senile steps a fat little priest entered, accompanied by his psalm-singer, a dark, gaunt man. With these came Sanine. The priest, coughing slightly, bowed to the doctors and to all present, who acknowledged his greeting with excessive politeness, and then remained perfectly silent as before. Without noticing anybody, Sanine took up his position by the window, eyeing Semenoff and the others with great curiosity as he sought to discern what the patient and those about him actually felt and thought. Semenoff remained motionless, breathing just as before.
“He is unconscious, is he?” asked the priest gently, without addressing anyone in particular.
“Yes,” replied Novikoff, hastily.
Sanine murmured something unintelligible. The priest looked questioningly at him, but, as Sanine remained silent, he turned away, smoothed his hair back, donned his stole and in high-pitched, unctuous tones began to chant the prayers for the dying.
The psalm-singer had a bass voice, hoarse and disagreeable, so that the vocal contrast was a painfully discordant one as the sound of this chanting rose to the lofty ceiling. No sooner had it commenced than the eyes of all were fixed in terror upon the dying man. Novikoff, standing nearest to him, thought that Semenoff’s eye-lids moved slightly, as if the sightless eyeballs had been turned in the direction of the chanting. To the others, however, Semenoff appeared as strangely motionless as before.