‘I know the present Mr. Penwyn, but I cannot call myself his friend. The poor young fellow who was murdered, James Penwyn, was my nearest and dearest friend, my adopted brother.’

‘Let the gentleman stop, mother. We’ve rooms enough, and to spare, in this gloomy old barrack. A fresh face always brightens us up a little, and it’s nice to hear how the world goes on. Father’s always satisfied when you are. You can put the gentleman in that old room at the end of the corridor. You needn’t be frightened, sir, there are no ghosts at Borcel End,’ added Martin Trevanard, laughing.

His mother still hesitated—but after a pause she said, ‘Very well, sir. You can stop to-night, and as long as you please afterwards at a fair price—say a guinea a week for eating, drinking, and sleeping, and a trifle for the servant when you go away.’

Even in consenting the woman seemed to have a lingering reluctance, as if she were giving assent to something which she felt should have been refused.

‘Your terms are moderation itself, madam, and I thank you. I’ll send away my small guide.’

He went out to the porch where Elspeth sat waiting—no doubt a listener to the conversation. Maurice rewarded her devotion with an extra sixpence, and dismissed her. Away she sped through the gathering gloom, light of foot as a young fawn. Maurice felt considerably relieved by the comfortable adjustment of the lodging question. He seated himself in an arm-chair by the hearth, and stretched out his legs in the ruddy glow, with a blissful sense of repose.

‘Is there such a thing as a lad about the place who would go to the “Bell” at Penwyn to fetch my knapsack for a consideration?’ he asked.

There was a cowboy who would perform that service, it seemed. Martin went out himself to look for the rustic Mercury.

‘He’s a good-natured lad, my son,’ said Mrs. Trevanard, ‘but full of fancies. That comes of idleness, and too much education, his father says. His grandmother yonder never learned to read or write and ’twas she and her husband made Borcel End what it is.’

Following the turn of Mrs. Trevanard’s head, Maurice perceived that an object which in the obscurity of the room he had taken for a piece of furniture was in reality a piece of humanity—a very old woman, dressed in dark garments, with only a narrow white border peeping from under a cowl-shaped black silk cap, a dingy red handkerchief pinned across her shoulders, and two bony hands, whose shrivelled fingers moved with a mechanical regularity in the process of stocking knitting.