“Oh, it was only a passing fancy. I thought it just possible that if I were to die while we are in Italy, Martin might think to honour me by having me laid in this splendid cemetery. He seemed so struck by the grandeur and beauty of the monuments, just now, when we were in those colonnades down yonder.”
Colonel Disney had lingered a little way off to look at Mazzini’s monument. He came up to them now, and hurried them back to the gate, where their carriage was waiting. And so ended their last afternoon in Genoa; and the most vivid picture of the city and its surroundings that Isola carried away with her was the picture of those marble tombs upon the hill, and those tall and gloomy cypresses which are the trees of death.
Yes, she was better, gayer, and more active—more like the girl-wife whom Martin Disney had carried home to Cornwall, prouder than Tristram when he sailed away with Irish Isolt.
The Italian sunshine had revived his fading flower, Disney told himself, ready to love all things in a land that had brought the smiles back to his wife’s pale lips, and a delicate bloom to her wan cheeks. Yes, she was happier than she had been of late in Cornwall. He saw and rejoiced in the change.
They stayed at a hotel for more than a week, while they deliberated upon the choice of a villa. They found one at last, which seemed to realize their ideas of perfection. It was not a grand or stately dwelling. No marble bell-tower or architectural loggia attracted the eye of the passing pedestrian. It was roomy, and bright, and clean, and airy, built rather in the Swiss than the Italian style, and it stood upon the slope of the hill on the west side of the town, with nothing but olive-woods between its terraced garden and the road that skirted the sea. It was a reminiscence of the Alps, built by a retired merchant of Zurich, and its owner had called it Lauter Brunnen. The house was at most two years old; but life’s vicissitudes had left it empty for a year and a half, and the rent asked of Colonel Disney was much less than he had been prepared to pay.
The installation was full of delight for Isola and her sister-in-law. The house afforded innumerable surprises, unexpected nooks and corners of all kinds. There were lovely views from every window—east, west, north, or south—and there was a garden full of roses, a garden made upon so steep a slope that it was a succession of terraces, with but little intervening level ground, and below the lowest terrace the valley stretched down to the sea, a tangle of gnarled old olive trees, wan and silvery, with a ruined gateway just seen among the foliage at the bottom of a dim grey glade.
To the right, straggling along the edge of the wooded hill, appeared the white houses and churches, cupola, pinnacle, and dome of Colla, so scattered as to seem two towns rather than one, and with picturesque suggestions of architectural splendour that were hardly borne out by the reality, when one climbed those rugged mule-paths, and crossed the romantic gorge above the waterfall, and then upward and upward to the narrow alleys and crumbling archways, and the spacious old church with its lofty doorway standing high above the stony street.
Only a few paces from Colonel Disney’s villa there was a stately house that had gone to ruin. The roof was off in some places; there were neither floors nor windows left; and the walls were open to the wind and rain—frescoed walls, upon which might be traced figures of saint and martyr, angel and madonna. There was a spacious garden, with an avenue of cypresses—a garden where the flowers had been growing wild for years, and where Isola and Allegra wandered and explored as they pleased. It was higher on the hillside than their own villa, and from the eastward edge of this garden they looked—across a yawning gulf in which lay all the lower town of San Remo—to the Sanctuary and the Leper Hospital, conspicuous on the crest of the opposite hill.