"Why not go to him at once and make your confession? You would feel happier afterwards."

"I have not come to that yet. I mean to have a talk with him later. A riverdervi, Madre mia."

"Where are you going?"

"I don't know. To my rooms, most likely. I have letters to write."

He was gone before she could question him further. That business of letter-writing was the most arduous work he knew. Since he had "chucked" art, his days had no more strenuous employment; his life was the over-occupied existence of a man of pleasure.


CHAPTER XV

Lord Okehampton, discussing the financier's fate in a tête-à-tête dinner with his wife, was only one among a multitude who were thinking of the Provana murder. There is nothing that English men and women enjoy more than the crime which they call "a really good murder." They will import sensation cases from America or the colonies, and will try to feel as keenly interested in a murder in New York or Melbourne as in a London tragedy. But the keen relish is lacking where the crime has been done afar off. It is impossible to realise the scene in unfamiliar surroundings. The sense of nearness, of the street or the countryside we know, is a strong factor in the interest of the story. To the man who knows his Paris thoroughly a Parisian crime may appeal; but to the woman who buys frocks in the Rue de la Paix, and hats on the Boulevard des Italiens, the most diabolical murder in the Marais, or on the heights of Belleville, seems tame.

Thus the murder of a millionaire in the midst of the rich man's London was a crime that set every sensation-seeker theorising and arguing. Every man is at heart a Sherlock Holmes, while every woman thinks herself a criminal investigator by instinct; and the theories worked out and expounded over tea-tables, and maintained with a red-hot intensity, were various and startling. The most sanguinary murder is a poor thing if people know how and by whom it was done. Mystery is essential in a crime that is to occupy the mind of the public. The murder in the great house in Portland Place had all the elements of enduring success—wealth, beauty, secrecy, and that Italian flavour which offered poignant possibilities of jealousy or revenge, or perhaps a life-long vendetta, as the motive of the crime.

The inquiry in the coroner's court dragged slowly towards an indeterminate and unsatisfactory close, being adjourned at long intervals to give the police time to make discoveries.