"And a strait-waistcoat. That's where she got her figure," said Envy.
She was now six-and-twenty, a widow, living in a small house in a narrow street like the neck of a bottle, between Park Lane and South Audley Street, with an income of two thousand a year, but popularly reputed to be spending at least five thousand. Her reputation in her first season had been unassailed, but she was rather taken upon trust, on the strength of the houses where she was met, than by reason of any exact knowledge that people had of her character and environment. Good-natured friends declared that she was thoroughbred. A creature with such exquisite hands and feet, and such a patrician turn of the swan-like throat, could hardly have come out of the gutter; and her husband had belonged to one of the oldest families in Wessex. So in that first season, except among her rivals in the beauty show, the general tone about her was approval.
Then, in her second year as the lovely widow, things began to leak out, unpleasant things—as to the men she knew, and the money she spent, the hours she kept in that snug little house in Brown Street; the places at which she was seen in London and Paris, chiefly in Paris, where people pretended that she had a pied-à-terre in the new quarter beyond St. Geneviève. People talked, but nothing was positively stated, except that she did curious things, and was beginning to be regarded somewhat shyly by prudish hostesses. She still went to a great many houses—smart houses and rich houses; but not quite the best houses, not the houses that can give a cachet, and stop the mouth of slander.
She gave little luncheons, little dinners, little suppers, in the little street out of Park Lane, and her lamp-lit drawing-room used to shine across the street in the small hours, as a token that there were talk and laughter and cards and music in the gay little room for tout le monde, or at least for her particular monde. She had a fine contralto voice, and sang French and Spanish ballads delightfully, could breathe such fire and passion into a song that the merest doggerel seemed inspired.
But before this second season was over there were a few people in London who had dreadful things to say about Mrs. Bellenden, and who said them with infinite cruelty; people for whose belongings—son or daughter, foolish youth or confiding young wife—this lovely widow had been a scourge.
Looking at the radiant being people did not always remember, and some people did not know, the tragedy of her youth. She had been a good woman once, quite good, a model wife. She had married, before her eighteenth birthday, a husband she adored. A creature of intense vitality, made of fire and light, sense and not mind, love with her had been a flame; unwise, unreasoning, exacting; love without thought; wildly adoring, wildly jealous. A word, a look given to another woman set her raging; and it was after one of the fierce quarrels that her jealous temper made only too frequent that her husband—handsome, gay, in the flower of his youth—left her without the goodbye kiss, for his last ride. He was brought back to her in the winter twilight, without a word of warning, killed at the last ditch in a point-to-point race, a race that was always remembered as the finest of many seasons; perhaps all the more vividly remembered because of that tragedy just before the finish, when Jim Bellenden broke his neck.
For some time after that dreadful night Kate Bellenden was under restraint; and then, after nearly a year, in which none but near relations had seen her or had even known where she was, she came back to the world; not quite sane, and desperately wicked. That small brain of hers had not been large enough to hold a great grief. Satan had taken possession of a mind that had never been rightly balanced.
"I have done with love," she told her âme damnée. She had always her shadow and confidante, upon whom she lavished gifts and indulgences. "I can never love anybody after him: but I like to be loved, and I like to make it hard for my lovers."
And then, in still wickeder moods, she would say, "I like to steal a woman's husband, or to cut in between an engaged girl and the man she is to marry. I like to make another woman as desolate as I was after Jim was killed, but I can't make her quite as miserable. I am not Death. But," with a little exulting laugh, "I am almost as bad."
There were people—a mother, a sister, or a wife—here and there in the crowd we call Society, who thought Mrs. Bellenden worse than Death; people who knew the fortunes she had wasted, the houses she had ruined, the hearts she had broken, the careers she had blighted, and the souls that had been lost for her.