Vera's shyness wore off after two or three excursions in that ideal spring-time. The weather had been exceptionally mild this season, and there had been no unkind skies or cruel mistral to gainsay Dr. Wilmot's praise of San Marco. It might almost seem as if Provana had been able to buy sunshine as well as other luxuries. Day after day the friendly little company of four set out upon some new excursion, to spots whose very name seemed a poem. To Santa Croce, to Dolce Aqua, to Finalmarina, to Colla, the little white town among the mountains, where there were a church and a picture gallery, or by the Roman Road to the Tower of Mostaccini, on a high plateau crowned with fir trees, with its view over sea and shore, valley and wood, and far-off horizon; a place for a picnic luncheon, and an afternoon of delicious idleness. To Vera such days were unspeakably sweet. Could it be strange that she loved the girl who had begun by loving her, and who was her first girl friend? If she was not so impulsive as Giulia, she was as sensitive and as sympathetic, and Giulia's sad history had interested her before they met.
As friendship ripened in the familiarity of daily companionship, her interest in Giulia's father grew stronger day by day. His devotion to his daughter was the most beautiful thing she had ever known. He was the first man with whom she had ever lived in easy intimacy—for the uncles by blood or by marriage in whose houses she had been a visitor had always held her at arm's length, and her shyness had been increased by their coldness. The only creature of that superior sex with whom she had ever been at her ease was her young cousin, Claude Rutherford. He had been kind to her, and with him she had been happy; but that friendship was of a long time ago—ages and ages, it seemed to her, when she conjured up a vision of delicious days in the Park, hairbreadth escapes in Claude's dinghy, and thrilling rides on his Arabian pony.
Vera noticed that Signor Provana did not often join in the animated conversation which Giulia and her governess kept up untiringly during their morning drives. He was silent for the most part, and always meditative. His dark grey eyes seemed to be seeing things that were far away.
"You see Papa sitting opposite us, cara," said Giulia; "but you must not think he is really with us. He is in London, or in Paris, negotiating a loan that may mean war. He has to provide the sinews of war sometimes; and I tell him he is responsible for the lives of men. His thoughts are a thousand miles away, and he doesn't hear a word of our foolish talk. Non è vero, Padre?"
He looked at her with his fond parental smile. "I hear something like the songs of birds," he said; "and it helps me to think. Go on talking, anima mia. I like the sound, if I miss the sense."
"I have been telling Vera about Browning. She knows nothing of Browning, though she is a poet's daughter. Is not that dreadful?"
"I have had only Grannie's books, and she does not think there has been an English poet since Byron. We are birds of passage, and Grannie has only her poor little travelling library—but it has always seemed to me that Byron and my father were enough. I have never wearied of their poetry."
"Oh, but we shall widen your horizon," said Giulia; "You shall read all my books, and you must lend me your father's poems."
"I shall be very glad if you will read some of my favourites."
"All, all! When I admire I am insatiable."