“Bear witness, Eleanor,” said the old man, “bear witness that I tried to pay this money away immediately after receiving it. You will be good enough to mention that fact in your letter to my eldest daughter.”
He had carried the notes in his hand all this time, as if eager to deliver them over to the schoolmistress, but he now put them into his breast-pocket. I think upon the whole he was rather pleased at the idea of retaining custody of the money for the next twenty-four hours. It was not his own, but the mere possession of it gave him a pleasant sense of importance; and, again, he might very probably have an opportunity of displaying the bank notes, incidentally, to some of his associates. Unhappily for this lonely old man, his few Parisian acquaintances were of a rather shabby and not too reputable a calibre, and were therefore likely to be somewhat impressed by the sight of a hundred and twenty-five napoleons, in crisp, new notes upon the Bank of France.
It was past three when Mr. Vane and his daughter alighted in front of the Palais Royal, and the coachman claimed payment for two hours and a-half. The old man had changed the first of his six napoleons at the glove-cleaner’s, and he had a handful of loose silver in his waistcoat pocket, so the driver was quickly paid and dismissed, and Eleanor entered the Palais Royal, that paradise of cheap jewellery and dinners, hanging on her father’s arm.
Mr. Vane bore patiently with his daughter’s enthusiastic admiration of the diamonds and the paste, the glittering realities and almost as glittering shams in the jewellers’ windows. Eleanor wanted to look at everything, the trinkets, and opera-glasses, and portmanteaus, and china,—everything was new and beautiful. The fountain was playing; noisy children were running about, amongst equally noisy nurses and idle loungers. A band was playing close to the fountain. The chinking of tea-spoons, and cups and saucers, sounded in the Café de la Rotonde: people had not begun to dine yet, but the windows and glazed nooks in the doorways of the restaurants were splendid with their displays of gigantic melons, and dewy purple grapes, cucumbers, pears, tomatoes, and peaches. George Vane allowed his daughter to linger a long time before all the shops. He was rather ashamed of her exuberant delight, and unrestrained enthusiasm; for so much pleasure in these simple things was scarcely consistent with that haut ton which the old man still affected, even in his downfall. But he had not the heart to interfere with his daughter’s happiness—was it not strange happiness to him to have this beautiful creature with him, clinging to his arm, and looking up at him with a face that was glorified by her innocent joy?
They left the Palais Royal at last, before half its delights were exhausted, as Eleanor thought, and went through the Rue Richelieu to the Place de la Bourse, where Mr. Vane’s eager companion looked wistfully at the doors of the theatre opposite the great Temple of Commerce.
“Oh, papa,” she said, “how I should like to go to a theatre to-night!”
Miss Vane had seen a good deal of the English drama during her Chelsea life, for the old man knew some of the London managers, men who remembered him in his prosperity, and were glad to give him admission to their boxes now and then, out of pure benevolence. But the Parisian theatres seemed mysteriously delightful to Eleanor, inasmuch as they were strange.
“Can you get tickets for the theatres here, papa,” she asked, “as you used in London?”
Mr. Vane shrugged his shoulders.
“No, my love,” he said, “it’s not quite such an easy matter. I know a man who writes farces now and then for the Funambules—a very clever fellow—but he doesn’t get many orders to give away, and that’s not exactly the theatre I should like to take you to. I’ll tell you what, though, Eleanor, I’ll take you to the Porte St. Martin to-night—why should I deny my child an innocent pleasure? I’ll take you to the Porte St. Martin, unless——”