They were to drive to Wyncomb in the bailiff's gig; rather an obsolete vehicle, with a yellow body, a mouldy leather apron, and high wheels picked out with red, drawn by a tall gray horse that did duty with the plough on ordinary occasions. Stephen Whitelaw's house was within an easy walk of the Grange; but the gig was a more dignified mode of approach than a walk, and the bailiff insisted on driving his daughter to her suitor's abode in that conveyance.
Wyncomb was a long low gray stone house, of an unknown age; a spacious habitation enough, with many rooms, and no less than three staircases, but possessing no traces of that fallen grandeur which pervaded the Grange. It had been nothing better than a farm-house from time immemorial, and had been added to and extended and altered to suit the convenience of successive generations of farmers. It was a gloomy-looking house at all times, Ellen Carley thought, but especially gloomy under that leaden winter sky; a house which it would have been almost impossible to associate with pleasant family gatherings or the joyous voices of young children; a grim desolate-looking house, that seemed to freeze the passing traveller with its cold blank stare, as if its gloomy portal had a voice to say to him, "However lost you may be for lack of shelter, however weary for want of rest, come not here!"
Idle fancies, perhaps; but they were the thoughts with which Wyncomb Farmhouse always inspired Ellen Carley.
"The place just suits its master's hard miserly nature," she said. "One would think it had been made on purpose for him; or perhaps the Whitelaws have been like that from generation to generation."
There was no such useless adornment as a flower-garden at Wyncomb. Stephen Whitelaw cared about as much for roses and lilies as he cared for Greek poetry or Beethoven's sonatas. At the back of the house there was a great patch of bare shadowless ground devoted to cabbages and potatoes, with a straggling border of savoury herbs; a patch not even divided from the farm land beyond, but melting imperceptibly into a field of mangel-wurzel. There were no superfluous hedges upon Mr. Whitelaw's dominions; not a solitary tree to give shelter to the tired cattle in the long hot summer days. Noble old oaks and patriarch beeches, tall sycamores and grand flowering chestnuts, had been stubbed up remorselessly by that economical agriculturist; and he was now the proud possessor of one of the ugliest and most profitable farms in Hampshire.
In front of the gray-stone house the sheep browsed up to the parlour windows, and on both sides of the ill-kept carriage-drive leading from the white gate that opened into the meadow to the door of Mr. Whitelaw's abode. No sweet-scented woodbine or pale monthly roses beautified the front of the house in spring or summer time. The neglected ivy had overgrown one end of the long stone building and crept almost to the ponderous old chimneys; and this decoration, which had come of itself, was the only spot of greenery about the place. Five tall poplars grew in a row about a hundred yards from the front windows; these, strange to say, Mr. Whitelaw had suffered to remain. They served to add a little extra gloom to the settled grimness of the place, and perhaps harmonised with his tastes.
Within Wyncomb Farmhouse was no more attractive than without. The rooms were low and dark; the windows, made obscure by means of heavy woodwork and common glass, let in what light they did admit with a grudging air, and seemed to frown upon the inmates of the chamber they were supposed to beautify. There were all manner of gloomy passages, and unexpected flights of half-a-dozen stairs or so, in queer angles of the house, and there was a prevailing darkness everywhere; for the Whitelaws of departed generations, objecting to the window tax, had blocked up every casement that it was possible to block up; and the stranger exploring Wyncomb Farmhouse was always coming upon those blank plastered windows, which had an unpleasant ghostly aspect, and set him longing for a fireman's hatchet to hew them open and let in the light of day.
The furniture was of the oldest, black with age, worm-eaten, ponderous; queer old four-post bedsteads, with dingy hangings of greenish brown or yellowish green, from which every vestige of the original hue had faded long ago; clumsy bureaus, and stiff high-backed chairs with thick legs and gouty feet, heavy to move and uncomfortable to sit upon. The house was clean enough, and the bare floors of the numerous bed-chambers, which were only enlivened here and there with small strips or bands of Dutch carpet, sent up a homely odour of soft soap; for Mrs. Tadman took a fierce delight in cleaning, and the solitary household drudge who toiled under her orders had a hard time of it. There was a dismal kind of neatness about everything, and a bleak empty look in the sparsely furnished rooms, which wore no pleasant sign of occupation, no look of home. The humblest cottage, with four tiny square rooms and a thatched roof, and just a patch of old-fashioned garden with a sweetbrier hedge and roses growing here and there among the cabbages; would have been a pleasanter habitation than Wyncomb, Ellen Carley thought.
Mr. Whitelaw exhibited an unwonted liberality upon this occasion. The dinner was a ponderous banquet, and the dessert a noble display of nuts and oranges, figs and almonds and raisins, flanked by two old-fashioned decanters of port and sherry; and both the bailiff and his host did ample justice to the feast. It was a long dreary afternoon of eating and drinking; and Ellen was not sorry to get away from the prim wainscoted parlour, where her father and Mr. Whitelaw were solemnly sipping their wine, to wander over the house with Mrs. Tadman.
It was about four o'clock when she slipped quietly out of the room at that lady's invitation, and the lobbies and long passages had a shadowy look in the declining light. There was light enough for her to see the rooms, however; for there were no rare collections of old china, no pictures or adornments of any kind, to need a minute inspection.