The father sat with his long clay pipe in his mouth, watching his daughter's fair face as she bent over the work upon her knee.
The room was neatly kept, but poorly furnished, with that old-fashioned spindle-legged furniture which seems peculiar to lodging-houses. Yet the little sitting-room had an aspect of simple rustic prettiness, which is almost pleasanter to look at than fine furniture. There were pictures,—simple water-colour sketches,—and cheap engravings on the walls, and a bunch of flowers on the table, and between the muslin curtains that shadowed the window you saw the branches of the sycamores waving in the summer wind.
James Wentworth had once been a handsome man. It was impossible to look at him and not perceive as much as that. He might, indeed, have been handsome still, but for the moody defiance in his eyes, but for the half-contemptuous curve of his finely-moulded upper lip.
He was about fifty-three years of age, and his hair was grey, but this grey hair did not impart a look of age to his appearance. His erect figure, the carriage of his head, his dashing, nay, almost swaggering walk, all belonged to a man in the prime of middle age. He wore a beard and thick moustache of grizzled auburn. His nose was aquiline, his forehead high and square, his chin massive. The form of his head and face denoted force of intellect. His long, muscular limbs gave evidence of great physical power. Even the tones of his voice, and his manner of speaking, betokened a strength of will that verged upon obstinacy.
A dangerous man to offend! A relentless and determined man; not easily to be diverted from any purpose, however long the time between the formation of his resolve and the opportunity of carrying it into execution.
As he sat now watching his daughter at her work, the shadows of black thoughts darkened his brow, and spread a sombre gloom over his face.
And yet the picture before him could have scarcely been unpleasing to the most fastidious eye. The girl's face, drooping over her work, was very fair. The features were delicate and statuesque in their form; the large hazel eyes were very beautiful—all the more beautiful, perhaps, because of a soft melancholy that subdued their natural brightness; the smooth brown hair rippling upon the white forehead, which was low and broad, was of a colour which a duchess might have envied, or an empress tried to imitate with subtle dyes compounded by court chemists. The girl's figure, tall, slender, and flexible, imparted grace and beauty to a shabby cotton dress and linen collar, that many a maid-servant would have disdained to wear; and the foot visible below the scanty skirt was slim and arched as the foot of an Arab chief.
There was something in Margaret Wentworth's face, some shade of expression, vague and transitory in its nature, that bore a likeness to her father; but the likeness was a very faint one, and it was from her mother that the girl had inherited her beauty.
She had inherited her mother's nature also: but mingled with that soft and womanly disposition there was much of the father's determination, much of the strong man's force of intellect and resolute will.
A beautiful woman—an amiable woman; but a woman whose resentment for a great wrong could be deep and lasting.