Henry Dunbar: A Novel

by M. E. Braddon

Sir Philip Jocelyn was not what is usually called an intellectual man. He was more warmly interested in a steeplechase on Shorncliffe Common than in a pamphlet on political economy, even though Mr. Stuart Mill should himself be the author of the brochure. He thought John Scott a greater man than Maculloch; and Manton the gunmaker only second to Dr. Jenner as a benefactor of his race. He found the works of the late Mr. Apperly more entertaining than the last new Idyl from the pen of the Laureate; and was rather at a loss for small-talk when he found his feminine neighbour at a dinner-table was "deeply, darkly, beautifully blue." But the young baronet was by no means a fool, notwithstanding these sportsmanlike proclivities. The Jocelyns had been hard riders for half-a-dozen centuries or so, and crack shots ever since the invention of firearms. Sir Philip was a sportsman, but he did not "hunt in dreams," and he was prepared to hold his wife a great deal "higher than his horse," whenever he should win that pleasant addition to his household. As yet he had thought very little of the future Lady Jocelyn. He had a vague idea that he should marry, as the rest of the Jocelyns had married; and that he should live happily with his wife, as his ancestors had lived with their wives: with the exception of one dreadful man, called Hildebrande Jocelyn, who, at some remote and mediaeval period, had been supposed to throw his liege lady out of an oriel window that overhung the waterfall, upon the strength of an unfounded suspicion; and who afterwards, according to the legend, dug, or rather scooped, for himself a cave out of the cliff-side with no better tools than his own finger-nails, which he never cut after the unfortunate lady's foul murder. The legend went on further to state that the white wraith of the innocent victim might be seen, on a certain night in the year, rising out of the misty spray of the waterfall: but as nobody except one very weak-witted female Jocelyn had ever seen the vision, the inhabitants of the house upon the crag had taken so little heed of the legend that the date of the anniversary had come at last to be forgotten.

Sir Philip Jocelyn thought that he should marry "some of these days," and in the meantime troubled himself very little about the pretty daughters of country gentlemen whom he met now and again at races, and archery-meetings, and flower-shows, and dinner-parties, and hunting-balls, in the queer old town-hall at Shorncliffe. He was heart-whole; and looking out at life from the oriel window of his dressing-room, whence he saw nothing but his own land, neatly enclosed in a ring-fence, he thought the world, about which some people made such dismal howling, was, upon the whole, an extremely pleasant place, containing very little that "a fellow" need complain of. He built himself a painting-room at Jocelyn's Rock; and whistled to himself for the hour together, as he stood before the easel, painting scenes in the hunting-field, or Arab horsemen whom he had met on the great flat sandy plains beyond Cairo, or brown-faced boys, or bright Italian peasant-girls; all sorts of pleasant objects, under cloudless skies of ultra-marine, with streaks of orange and vermilion to represent the sunset. He was not a great painter, nor indeed was there any element of greatness in his nature; but he painted as recklessly as he rode; his subjects were bright and cheerful; and his pictures were altogether of the order which unsophisticated people admire and call "pretty."

He was a very cheerful young man, and perhaps that cheerfulness was the greatest charm he possessed. He was a man in whom no force of fashion or companionship would ever engender the peevish blasé-ness so much affected by modern youth. Did he dance? Of course he did, and he adored dancing. Did he sing? Well, he did his best, and had a fine volume of rich bass voice, that sounded remarkably well on the water, after a dinner at the Star and Garter, in that dim dewy hour, when the willow-shadowed Thames is as a southern lake, and the slow dip of the oars is in itself a kind of melody. Had he been much abroad? Yes, and he gloried in the Continent; the dear old inconvenient inns, and the extortionate landlords, and the insatiable commissionaires—he revelled in the commissionaires; and the dear drowsy slow trains, with an absurd guard, who talks an unintelligible patois, and the other man, who always loses one's luggage! Delicious! And the dear little peasant-girls with white caps, who are so divinely pretty when you see them in the distance under a sunny meridian sky, and are so charming in coloured chalk upon tinted paper, but such miracles of ugliness, comparatively speaking, when you behold them at close quarters. And the dear jingling diligences, with very little harness to speak of, but any quantity of old rope; and the bad wines, and the dust, and the cathedrals, and the beggars, and the trente-et-quarante tables, and in short everything. Sir Philip Jocelyn spoke of the universe as a young husband talks of his wife; and was never tired of her beauty or impatient of her faults.

The poor about Jocelyn's Rock idolized the young lord of the soil. The poor like happy people, if there is nothing insolent in their happiness. Philip was rich, and he distributed his wealth right royally: he was happy, and he shared his happiness as freely as he shared his wealth. He would divide a case of choice Manillas with a bedridden pensioner in the Union, or carry a bottle of the Jocelyn Madeira—the celebrated Madeira with the brown seal—in the pocket of his shooting-coat, to deliver it into the horny hands of some hard-working mother who was burdened with a sick child. He would sit for an hour together telling an agricultural labourer of the queer farming he had seen abroad; and he had stood godfather—by proxy—to half the yellow-headed urchins within ten miles' radius of Jocelyn's Bock. No taint of vice or dissipation had ever sullied the brightness of his pleasant life. No wretched country girl had ever cursed his name before she cast herself into the sullen waters of a lonely mill-stream. People loved him; and he deserved their love, and was worthy of their respect. He had taken no high honours at Oxford; but the sternest officials smiled when they spoke of him, and recalled the boyish follies that were associated with his name; a sickly bedmaker had been pensioned for life by him; and the tradesmen who had served him testified to his merits as a prompt and liberal paymaster. I do not think that in all his life Philip Jocelyn had ever directly or indirectly caused a pang of pain or sorrow to any human being, unless it was, indeed, to a churlish heir-at-law, who may have looked with a somewhat evil eye upon the young man's vigorous and healthful aspect, which gave little hope to his possible successor.

The heir-at-law would have gnashed his teeth in impotent rage had he known the crisis which came to pass in the baronet's life a short time after Mr. Dunbar's return from India; a crisis very common to youth, and very lightly regarded by youth, but a solemn and a fearful crisis notwithstanding.

The master of Jocelyn's Rock fell in love. All the poetry of his nature, all the best feelings, the purest attributes of an imperfect character, concentrated themselves into one passion, Sir Philip Jocelyn fell in love. The arch magician waved his wand, and all the universe was transformed into fairyland: a lovely Paradise, a modern Eden, radiant with the reflected light that it received from the face of a woman. I almost hesitate to tell this old, old story over again—this perpetual story of love at first sight.

It is very beautiful, this sudden love, which is born of one glance at the wonderful face that has been created to bewitch us; but I doubt if it is not, after all, the baser form of the great passion. The love that begins with esteem, that slowly grows out of our knowledge of the loved one, is surely the purer and holier type of affection.

This love, whose gradual birth we rarely watch or recognize—this love, that steals on us like the calm dawning of the eastern light, strikes to a deeper root and grows into a grander tree than that fair sudden growth, that marvellous far-shooting butterfly-blossoming orchid, called love at first sight. The glorious exotic flower may be wanting, but the strong root lies deeply hidden in the heart.

The man who loves at first sight generally falls in love with the violet blue of a pair of tender eyes, the delicate outline of a Grecian nose. The man who loves the woman he has known and watched, loves her because he believes her to be the purest and truest of her sex.

To this last, love is faith. He cannot doubt the woman he adores: for he adores her because he believes and has proved her to be above all doubt. We may fairly conjecture that Othello's passion for the simple Venetian damsel was love at first sight. He loved Desdemona because she was pretty, and looked at him with sweet maidenly glances of pity when he told those prosy stories of his—with full traveller's license, no doubt—over Brabantio's mahogany.