"The address on the card was, 'No. 3, Godolphin Cottages.' I asked the first person I met to direct me to Godolphin Cottages, and was told to take the second turning on my right. The second turning on my right took me into a kind of lane or by-road, where there were some old-fashioned, semi-detached cottages, sheltered by a row of sycamores, and shut in by wooden palings. I opened the low gate before the third cottage, and went into the garden,—a primly-kept little garden, with a grass-plat and miniature gravel-walks, and with a grotto of shells and moss and craggy blocks of stone in a corner. Under a laburnum-tree there was a green rustic bench; and here I found a young lady sitting reading by the dying light. She started at the sound of my footsteps on the crisp gravel, and rose, blushing like one of the cabbage-roses that grew near her. The blush was all the more becoming to her inasmuch as she was naturally very pale. I saw this almost immediately, for the bright colour faded out of her face while I was speaking to her.
"'I have come to inquire for a lady who teaches music,' I said; 'I saw a card, just now, in the High Street, and as I am searching for an instructress for my little niece, I took the opportunity of calling. But I fear I have chosen an inconvenient time for my visit.'
"I scarcely know why I made this apology, since I had omitted to apologize to the other ladies, on whom I had ventured to intrude at abnormal hours. I fear that I was weak enough to feel bewildered by the pensive loveliness of the face at which I looked, and that my confidence ebbed away under the influence of those grave hazel eyes.
"The face is so beautiful,—as beautiful now that I have learned the trick of every feature, though even now I cannot learn all the varying changes of expression which make it ever new to me, as it was that evening when it beamed on me for the first time. Shall I describe her,—the woman whom I have only known four weeks, and who seems to fill all the universe when I think of her?—and when do I not think of her? Shall I describe her for the New Zealander, when the best description must fall so far below the bright reality, and when the very act of reducing her beauty into hard commonplace words seems in some manner a sacrilege against the sanctity of that beauty? Yes, I will describe her; not for the sake of the New Zealander, who may have new and extraordinary ideas as to female loveliness, and may require a blue nose or pea-green tresses in the lady he elects as the only type of beautiful womanhood. I will describe her because it is sweet to me to dwell upon her image, and to translate that dear image, no matter how poorly, into words. Were I a painter, I should be like Claude Melnotte, and paint no face but hers. Were I a poet, I should cover reams of paper with wild rhapsodies about her beauty. Being only a cashier in a bank, I can do nothing but enshrine her in the commonplace pages of my diary.
"I have said that she is pale. Hers is that ivory pallor which sometimes accompanies hazel eyes and hazel-brown hair. Her eyes are of that rare hazel, that soft golden brown, so rarely seen, so beautiful wherever they are seen. These eyes are unvarying in their colour; it is only the expression of them that varies with every emotion, but in repose they have a mournful earnestness in their look, a pensive gravity that seems to tell of a life in which there has been much shadow. The hair, parted above the most beautiful brow I ever looked upon, is of exactly the same colour as the eyes, and has a natural ripple in it. For the rest of the features I must refer my New Zealander to the pictures of the old Italian masters—of which I trust he may retain a handsome collection;—for only on the canvases of Signori Raffaello Sanzio d'Urbino, Titian, and the pupils who emulated them, will he find that exquisite harmony, that purity of form and tender softness of outline, which I beheld that summer evening in the features of Margaret Wentworth.
"Margaret Wentworth,—that is her name. She told it me presently, when I had explained to her, in some awkward vague manner, who I was, and how it was I wanted to engage her services. Throughout that interview, I think I must have been intoxicated by her presence, as by some subtle and mysterious influence, stronger than the fumes of opium, or the juice of lotus flowers. I only know that after ten minutes' conversation, during which she was perfectly self-possessed, I opened the little garden-gate again, very much embarrassed by the latch on one hand, and my hat on the other, and went back out of that little paradise of twenty feet square into the dusty lane.
"I went home in triumph to my mother, and told her that I had succeeded at last in engaging a lady who was in every way suitable, and that she was coming the following morning at eleven o'clock to give her first lesson. But I was somewhat embarrassed when my mother asked if I had heard the lady play; if I had inquired her terms; if I had asked for references as to respectability, capability, and so forth.
"I was fain to confess, with much confusion, that I had not done any one of these things. And then my mother asked me why, in that case, did I consider the lady suitable,—which question increased my embarrassment by tenfold. I could not say that I had engaged her because her eyes were hazel, and her hair of the same colour; nor could I declare that I had judged of her proficiency as a teacher of the piano by the exquisite line of her pencilled eyebrows. So, in this dilemma, I had recourse to a piece of jesuitry, of which I was not a little proud. I told my dear mother that Miss Wentworth's head was, from a phrenological point of view, magnificent, and that the organs of time and tune were developed to an unusual degree.
"I was almost ashamed of myself when my mother rewarded this falsehood by a kiss, declaring that I was a dear clever boy, and such a judge of character, and that she would rather confide in a stranger, upon the strength of my instinct, than, upon any inferior person's experience.
"After this I could only trust to the chance of Miss Wentworth's proficiency; and when I went home from the city upon the following afternoon, my mind was far less occupied with the business events of the day than with abstruse speculations at to the probabilities with regard to that young lady's skill upon the piano-forte. It was with an air of supreme carelessness that I asked my mother whether she had been pleased with Miss Wentworth.