Her husband had none but distant relations, whom he had kept at a distance; so there were no interfering brothers or sisters, no prying aunts or officious uncles to worry her with good advice. She stood alone, with a castle on the Scottish border, round whose turrets the seamews wheeled, and at whose base the German Ocean rolled in menacing grandeur, one of the finest houses in Grosvenor Square, and an income that was described by her friends and the gossiping Press at anything you like between twenty and fifty thousand a year.
So rich, so much alone, Lady Perivale was naturally capricious. One of her caprices was to hate her castle in Northumberland, and to love a hill-side villa on the Italian Riviera, two or three miles from a small seaport, little known to travellers, save as a ragged line of dilapidated white houses straggling along the sea front, past which the Mediterranean express carried them, indifferent and unobservant, on their journey between Marseilles and Genoa.
It was Lady Perivale's whim to spend her winters in a spot unknown to Rumpelmeyer and fashion—a spot where smart frocks were out of place; where royalty-worship was impossible, since not the smallest princeling had ever been heard of there; and where for the joy of life one had only the sapphire sea and the silvery grey of the olive woods, perpetual roses, a lawn carpeted with anemones, sloping banks covered with carnations, palms, and aloes, orange and lemon trees, hedges of pale pink geranium, walls tapestried with the dark crimson of the Bougainvilliers, the delicate mauve of the wistaria; and balmy winds which brought the scent of the flowers and the breath of the sea through the open windows.
Lady Perivale came back to London in April, when the flower-girls were selling bunches of purple lilac, and Bond Street seemed as full of lemon-coloured carriages and picture-hats as if it were June. It was the pleasant season after Easter, the season of warm sunshine and cold winds, when some people wore sables and others wore lace, the season of bals blancs and friendly dinners, before the May Drawing Room and the first State concert, before the great entertainments which were to be landmarks in the history of the year.
How empty the three drawing-rooms looked, in a perspective of white and gold; how black and dismal the trees in the square, as Grace Perivale stood at one of the front windows, looking out at the smooth lawns and well-kept shrubbery, in the pale English sunlight. She thought of the ineffable blue of the Mediterranean, the grey and green and gold and purple of the olive wood, and the orange and lemon grove sloping down to the sea from her verandah, where the Safrano roses hung like a curtain of pale yellow blossom over the rustic roof.
"And yet there are people who like London better than Italy," she thought.
Two footmen came in with the tables for tea.
"In the little drawing-room," she said, waving them away from the accustomed spot.
The spaciousness of the room chilled her. The Louis Seize furniture was all white and gold and silvery blue—not too much gold. An adept in the furniture art had made the scheme of colour, had chosen the pale blues and greys of the Aubusson carpet, the silvery sheen of the satin curtains and sofa-covers. It was all pale and delicate, and intensely cold.
"My letters?" she asked, when the men were retiring.