The tragedy was the dull production of a distinguished literary amateur, and even the great actor who played the principal character could not make the performance particularly enlivening. He certainly failed in impressing Mr. Edward Arundel, who flung himself back in his chair and yawned dolefully during the earlier part of the entertainment.
"It ain't particularly jolly, is it, Martin?" he said naïvely, "Let's go out and have some oysters, and come in again just before the pantomime begins."
"Mamma made me promise that we wouldn't leave the theatre till we left for good, Ned," his cousin answered; "and then we're to go straight home in a cab."
Edward Arundel sighed.
"I wish we hadn't come till half-price, old fellow," he said drearily. "If I'd known it was to be a tragedy, I wouldn't have come away from the Square in such a hurry. I wonder why people write tragedies, when nobody likes them."
He turned his back to the stage, and folded his arms upon the velvet cushion of the box preparatory to indulging himself in a deliberate inspection of the audience. Perhaps no brighter face looked upward that night towards the glare and glitter of the great chandelier than that of the fair-haired lad in the stage-box. His candid blue eyes beamed with a more radiant sparkle than any of the myriad lights in the theatre; a nimbus of golden hair shone about his broad white forehead; glowing health, careless happiness, truth, good-nature, honesty, boyish vivacity, and the courage of a young lion,—all were expressed in the fearless smile, the frank yet half-defiant gaze. Above all, this lad of seventeen looked especially what he was,—a thorough gentleman. Martin Mostyn was prim and effeminate, precociously tired of life, precociously indifferent to everything but his own advantage; but the Devonshire boy's talk was still fragrant with the fresh perfume of youth and innocence, still gay with the joyous recklessness of early boyhood. He was as impatient for the noisy pantomime overture, and the bright troops of fairies in petticoats of spangled muslin, as the most inveterate cockney cooling his snub-nose against the iron railing of the gallery. He was as ready to fall in love with the painted beauty of the ill-paid ballet-girls, as the veriest child in the wide circle of humanity about him. Fresh, untainted, unsuspicious, he looked out at the world, ready to believe in everything and everybody.
"How you do fidget, Edward!" whispered Martin Mostyn peevishly; "why don't you look at the stage? It's capital fun."
"Fun!"
"Yes; I don't mean the tragedy you know, but the supernumeraries. Did you ever see such an awkward set of fellows in all your life? There's a man there with weak legs and a heavy banner, that I've been watching all the evening. He's more fun than all the rest of it put together."
Mr. Mostyn, being of course much too polite to point out the man in question, indicated him with a twitch of his light eyebrows; and Edward Arundel, following that indication, singled out the banner-holder from a group of soldiers in medieval dress, who had been standing wearily enough upon one side of the stage during a long, strictly private and confidential dialogue between the princely hero of the tragedy and one of his accommodating satellites. The lad uttered a cry of surprise as he looked at the weak-legged banner-holder.