Edward Arundel heard of the cloud which shadowed his cousin's name. Her father heard of it, and went to remonstrate with her, imploring her to come to him at Swampington, and to leave Marchmont Towers to the new lord of the mansion. But she only answered him with gloomy, obstinate reiteration, and almost in the same terms as she had answered Edward Arundel; declaring that she would stay at the Towers till her death; that she would never leave the place till she was carried thence in her coffin.
Hubert Arundel, always afraid of his daughter, was more than ever afraid of her now; and he was as powerless to contend against her sullen determination as he would have been to float up the stream of a rushing river.
So Olivia was talked about. She had scared away all visitors, after the ball at the Towers, by the strangeness of her manner and the settled gloom in her face; and she lived unvisited and alone in the gaunt stony mansion; and people said that Paul Marchmont was almost perpetually with her, and that she went to meet him in the painting–room by the river.
Edward Arundel sickened of his wearisome life, and no one helped him to endure his sufferings. His mother wrote to him imploring him to resign himself to the loss of his young wife, to return to Dangerfield, to begin a new existence, and to blot out the memory of the past.
"You have done all that the most devoted affection could prompt you to do," Mrs. Arundel wrote. "Come back to me, my dearest boy. I gave you up to the service of your country because it was my duty to resign you then. But I cannot afford to lose you now; I cannot bear to see you sacrificing yourself to a chimera. Return to me; and let me see you make a new and happier choice. Let me see my son the father of little children who will gather round my knees when I grow old and feeble."
"A new and happier choice!" Edward Arundel repeated the words with a melancholy bitterness. "No, my poor lost girl; no, my blighted wife; I will not be false to you. The smiles of happy women can have no sunlight for me while I cherish the memory of the sad eyes that watched me when I drove away from Milldale, the sweet sorrowful face that I was never to look upon again."
The dull empty days succeeded each other, and did resemble each other, with a wearisome similitude that well–nigh exhausted the patience of the impetuous young man. His fiery nature chafed against this miserable delay. It was so hard to have to wait for his vengeance. Sometimes he could scarcely refrain from planting himself somewhere in Paul Marchmont's way, with the idea of a hand–to–hand struggle in which either he or his enemy must perish.
Once he wrote the artist a desperate letter, denouncing him as an arch–plotter and villain; calling upon him, if his evil nature was redeemed by one spark of manliness, to fight as men had been in the habit of fighting only a few years before, with a hundred times less reason than these two men had for their quarrel.
"I have called you a villain and traitor; in India we fellows would kill each other for smaller words than those," wrote the soldier. "But I have no wish to take any advantage of my military experience. I may be a better shot than you. Let us have only one pistol, and draw lots for it. Let us fire at each other across a dinner–table. Let us do anything; so that we bring this miserable business to an end."
Mr. Marchmont read this letter slowly and thoughtfully, more than once; smiling as he read.