Mary Marchmont sits at a window in the western drawing–room, watching the ceaseless falling of the rain upon this dreary summer afternoon. She is little changed since the day upon which Edward Arundel saw her in Oakley Street. She is taller, of course, but her figure is as slender and childish as ever: it is only her face in which the earnestness of premature womanhood reveals itself in a grave and sweet serenity very beautiful to contemplate. Her soft brown eyes have a pensive shadow in their gentle light; her mouth is even more pensive. It has been said of Jane Grey, of Mary Stuart, of Marie Antoinette, Charlotte Corday, and other fated women, that in the gayest hours of their youth they bore upon some feature, or in some expression, the shadow of the End––an impalpable, indescribable presage of an awful future, vaguely felt by those who looked upon them.
Is it thus with Mary Marchmont? Has the solemn hand of Destiny set that shadowy brand upon the face of this child, that even in her prosperity, as in her adversity, she should be so utterly different from all other children? Is she already marked out for some womanly martyrdom––already set apart for more than common suffering?
She sits alone this afternoon, for her father is busy with his agent. Wealth does not mean immunity from all care and trouble; and Mr. Marchmont has plenty of work to get through, in conjunction with his land–steward, a hard–headed Yorkshireman, who lives at Kemberling, and insists on doing his duty with pertinacious honesty.
The large brown eyes looked wistfully out at the dismal waste and the falling rain. There was a wretched equestrian making his way along the carriage–drive.
"Who can come to see us on such a day?" Mary thought. "It must be Mr. Gormby, I suppose;"––the agent's name was Gormby. "Mr. Gormby never cares about the wet; but then I thought he was with papa. Oh, I hope it isn't anybody coming to call."
But Mary forgot all about the struggling equestrian the next moment. She had some morsel of fancy–work upon her lap, and picked it up and went on with it, setting slow stitches, and letting her thoughts wander far away from Marchmont Towers––to India, I am afraid; or to that imaginary India which she had created for herself out of such images as were to be picked up in the "Arabian Nights." She was roused suddenly by the opening of a door at the farther end of the room, and by the voice of a servant, who mumbled a name which sounded something like Mr. Armenger.
She rose, blushing a little, to do honour to one of her father's county acquaintance, as she thought; when a fair–haired gentleman dashed in, very much excited and very wet, and made his way towards her.
"I would come, Miss Marchmont," he said,––"I would come, though the day was so wet. Everybody vowed I was mad to think of it, and it was as much as my poor brute of a horse could do to get over the ten miles of swamp between this and my uncle's house; but I would come! Where's John? I want to see John. Didn't I always tell him he'd come into the Lincolnshire property? Didn't I always say so, now? You should have seen Martin Mostyn's face––he's got a capital berth in the War Office, and he's such a snob!––when I told him the news: it was as long as my arm! But I must see John, dear old fellow! I long to congratulate him."
Mary stood with her hands clasped, and her breath coming quickly. The blush had quite faded out, and left her unusually pale. But Edward Arundel did not see this: young gentlemen of four–and–twenty are not very attentive to every change of expression in little girls of thirteen.
"Oh, is it you, Mr. Arundel? Is it really you?"