“Mademoiselle” was a governess lately imported from Paris, recommended by Mademoiselle Scudéry, and full of high-flown ideas expressed in high-flown language. All Paris had laughed at Molière’s Precieuses Ridicules; but the Précieuses themselves, and their friends, protested that the popular farce was aimed only at the low-born imitators of those great ladies who had originated the school of superfine culture and romantic aspirations.
“Sapho” herself, in tracing her own portrait with a careful and elaborate pencil, told the world how shamefully she had been imitated by the spurious middle-class Saphos, who set up their salons, and vied with the sacred house of Rambouillet, and the privileged coterie of the Rue de Temple.
Lady Fareham had not ceased to believe in her dear, plain, witty Scudéry, and was delighted to secure a governess of her choosing, whereby Papillon, who loved freedom and idleness, and hated lessons of all kinds, was set down to write themes upon chivalry, politeness, benevolence, pride, war, and other abstractions; or to fill in bouts-rimés, by way of enlarging her acquaintance with the French language, which she had chattered freely all her life. Mademoiselle insisted upon all the niceties of phraseology as discussed in the Rue Saint Thomas du Louvre.
There had been a change of late in Fareham’s manner to his sister-in-law, a change refreshing to her troubled spirit as mercy, that gentle dew from heaven, to the criminal. He had been kinder; and though he spent very few of his hours with the women of his household, he had talked to Angela somewhat in the friendly tone of those fondly remembered days at Chilton, when he had taught her to row and ride, to manage a spirited palfrey and fly a falcon, and had been in all things her mentor and friend. He seemed less oppressed with gloom as time went on, but had his sullen fits still, and, after being kind and courteous to wife and sister, and playful with his children, would leave them suddenly, and return no more to the saloon or drawing-room that evening. Yet on the whole the sky was lightening. He ignored Hyacinth’s resentment, endured her pettishness, and was studiously polite to her.
It was on Lady Fareham’s visiting-day, deep in that very severe winter, that some news was told her which came like a thunder-clap, and which it needed all the weak soul’s power of self-repression to suffer without swooning or hysterics.
Lady Sarah Tewkesbury, gorgeous in velvet and fur, her thickly painted countenance framed in a furred hood, entered fussily upon a little coterie in which Masaroon, vapouring about the last performance at the King’s theatre, was the principal figure.
“There was a little woman spoke the epilogue,” he said, “a little creature in a monstrous big hat, as large and as round as a cart-wheel, which vastly amused his Majesty.”
“The hat?”
“Nay, it was woman and hat. The thing is so small it might have been scarce noticed without the hat, but it has a pretty little, insignificant, crumpled face, and laughs all over its face till it has no eyes, and then stops laughing suddenly, and the eyes shine out, twinkling and dancing like stars reflected in running water, and it stamps its little foot upon the stage in a comic passion—and—nous verrons. It sold oranges in the pit, folks tell me, a year ago. It may be selling sinecures and captaincies in a year or two, and putting another shilling in the pound upon land.”
“Is it that brazen little comedy actress you are talking of, Masaroon?” Lady Sarah asked, when she had exchanged curtsies with the ladies of the company, and established herself on the most comfortable tabouret, near Lady Fareham’s tea-table; “Mrs. Glyn—Wynn—Gwyn? I wonder a man of wit can notice such a vulgar creature, a she-jack-pudden, fit only to please the rabble in the gallery.”