London Pride, Or, When the World Was Younger

by M. E. Braddon

“Belike the house is deserted, madam,” said the boatman, who had moored his wherry to the landing-stage, and had carried the two trunks to the doorstep. “You had best try if the door be fastened or no. Stay!” he cried suddenly, pointing upwards, “Go not in, madam, for your life! Look at the red cross on the door, the sign of a plague-stricken house.”

Angela looked up with awe and horror. A great cross was smeared upon the door with red paint, and above it some one had scrawled the words, “Lord, have mercy upon us!”

And the sister she loved, and the children whose faces she had never seen, were within that house, sick and in peril of death, perhaps dying—or dead! She did not hesitate for an instant, but took hold of the heavy iron ring which served as a handle for the door and tried to open it.

“I have no fear for myself,” she said to the boatman; “I have nursed the sick and the fever-stricken, and am not afraid of contagion—and there are those within whom I love. Good night, friend.”

The handle of the door turned somewhat stiffly in her hand, but it did turn, and the door opened, and she stood upon the threshold looking into a vast hall that was wrapped in shadow, save for a shaft of golden light that streamed from an oval window on the staircase. Other windows there were on each side of the door, shuttered and barred.

Seeing her enter the house, the old Cromwellian shrugged his shoulders, shook his head despondently, shoved the two trunks hastily over the threshold, ran back to his boat, and pushed off.

“God guard thy young life, mistress!” he cried, and the wherry shot out into the stream.

There had been silence on the river, the silence of a deserted city at eventide; but that had seemed as nothing to the stillness of this marble-paved hall, where the sunset was reflected on the dark oak panelling in one lurid splash like blood.

Not a mortal to be seen. Not a sound of voice or footstep. A crowd of gods and goddesses in draperies of azure and crimson, purple and orange, looked down from the ceiling. Curtains of tawny velvet hung beside the shuttered windows. A great brazen candelabrum, filled with half-consumed candles, stood tall and splendid at the foot of a wide oak staircase, the banister-rail whereof was cushioned with tawny velvet. Splendour of fabric, wood and marble, colour and gilding, showed on every side; but of humanity there was no sign.

Angela shuddered at the sight of all that splendour, as if death were playing hide and seek in those voluminous curtains, or were lurking in the deep shadow which the massive staircase cast across the hall. She looked about her, full of fear, then seeing a silver bell upon the table, she took it up and rang it loudly. Upon the same carved ebony table there lay a plumed hat, a cane with an amber handle, and a velvet cloak neatly folded, as if placed ready for the master of the house, when he went abroad; but looking at these things closely, even in that dim light, she saw that cloak and hat were white with dust, and, more even than the silence, that spectacle of the thick dust on the dark velvet impressed her with the idea of a deserted house.