She was still more shocked when Hyacinth talked of Lady Castlemaine with a good-humoured indulgence.
“There is something fine about her,” Lady Fareham said one day, “in spite of her tempers and pranks.”
“What!” cried Angela, aghast, having thought these creatures unrecognised by any honest woman, “do you know her—that Lady Castlemaine of whom you have told me such dreadful things?”
“C’est vrai. J’en ai dit des raides. Mon Ange, in town one must needs know everybody, though I doubt that after not returning her visit t’other day, I shall be in her black books, and in somebody else’s. She has never been one of my intimates. If I were often at Whitehall, I should have to be friends with her. But Fareham is jealous of Court influences; and I am only allowed to appear on gala nights—perhaps not a half-dozen times in a season. There is a distinction in not showing one’s self often; but it is provoking to hear of the frolics and jollities which go on every day and every night, and from which I am banished. It mattered little while the Queen-mother was at Somerset House, for her Court ranked higher—and was certainly more refined in its splendour—than her son’s ragamuffin herd. But now she is gone, I shall miss our intellectual milieu, and wish myself in the Rue St. Thomas du Louvre, where the Hôtel du Rambouillet, even in its decline, offers a finer style of company than anything you will see in England.”
“Sister, I fear you left half your heart in France.”
“Nay, sweet; perhaps some of it has followed me,” answered Hyacinth, with a blush and an enigmatic smile. “Peste! I am not a woman to make a fuss about hearts! There is not a grain of tragedy in my composition. I am like that girl in the play we saw at Oxford t’other day. Fletcher’s was it, or Shakespeare’s? ‘A star danced, and under that was I born.’ Yes, I was born under a dancing star; and I shall never break my heart—for love.”
“But you regret Paris?”
“Hélas! Paris means my girlhood; and were you to take me back there to-morrow you could not make me seventeen again—and so where’s the use? I should see wrinkles in the faces of my friends; and should know that they were seeing the same ugly lines in mine. Indeed, Ange, I think it is my youth I sigh for rather than the friends I lived with. They were such merry days: battles and sieges in the provinces, parliaments disputing here and there; Condé in and out of prison—now the King’s loyal servant, now in arms against him; swords clashing, cannon roaring under our very windows; alarm bells pealing, cries of fire, barricades in the streets; and amidst it all, lute and theorbo, bouts rimés and madrigals, dancing and play-acting, and foolish practical jests! One could not take the smallest step in life but one of the wits would make a song about it. Oh, it was a boisterous time! And we were all mad, I think; so lightly did we reckon life and death, even when the cannon slew some of our noblest, and the finest saloons were hung with black. You have done less than live, Angélique, not to have lived in that time.”
Hyacinth loved to ring the changes on her sister’s name. Angela was too English, and sounded too much like the name of a nun; but Angélique suggested one of the most enchanting personalities in that brilliant circle on which Lady Fareham so often rhapsodised. This was the beautiful Angélique Paulet, whose father invented the tax called by his name, La Paulette—a financial measure, which was the main cause of the first Fronde war.
“I only knew her when she was between fifty and sixty,” said Lady Fareham, “but she hardly looked forty; and she was still handsome, in spite of her red hair. Trop doré, her admirers called it; but, my love, it was as red as that scullion’s we saw in the poultry yard yesterday. She was a reigning beauty at three Courts, and had a crowd of adorers when she was only fourteen. Ah, Papillon, you may open your eyes! What will you be at fourteen? Still playing with your babies, or mad about your shock dogs, I dare swear!”