"No, you have not been actually uncivil: but your looks of aversion have not escaped me, though I trust they have escaped her," answered Judith.
"At the worst I have not the evil eye. My glances do not slay."
Lavendale strolled off to the music-room, a noble apartment, which had originally been a chapel, and which retained its vaulted roof and frescoed walls, in all the richness of restored colouring and precious metal. At one end stood an organ built by the Antignati in the fifteenth century; at the other was an instrument in which the art of organ-building had been brought to the highest perfection by the renowned Christopher Müller. The central portion of the room was occupied by the finest harpsichord of modern manufacture, and by a choice collection of older instruments of the same type, from the primitive dulcimer to the more developed spinet. Scattered about the spacious apartment were chairs and couches of the last luxurious French fashion, in all the florid richness of that elaborate style which we still recognise as Louis Quatorze, and which was then the latest development of the upholsterer's art.
Irene was seated at the harpsichord, and Herrick Durnford was standing by her side; but the heiress was not unguarded, for Lady Tredgold sat near, slumbering peacefully behind her fan, and giving full play to the mechanism of her admirable digestive organs after a copious dinner. For the rest, the room was empty.
The singer was just finishing a dainty little ballad by Tom Durfey as Lavendale entered.
"Is it not pretty?" she asked, looking shyly up at Herrick, whose taciturn air vexed her a little and mystified her much.
"Yes, it is charming, like everything you sing."
"How dolefully you say that!" she exclaimed.
"Yes, I confess to being doleful, the very incarnation of gloom. O Rena, forgive me, I am the most miserable of men! Here I am in this great gaudy tavern, for such a house is no better than an inn—seeing you every day, hearing your voice, near you and yet leagues away—never daring to address you freely save in such a chance moment as this, while your vigilant kinswoman sleeps; here am I, your adorer, your slave, but a pauper who dare not ask for your heart, though his own is irrevocably yours. To ask you to marry me would be to ask you to ruin yourself irretrievably."
"You might at least venture the question," said Rena softly, looking down at the keys of the harpsichord. "Perhaps I have a mind to do some wild rash act that will beggar me. I am weary of hearing myself talked of as an heiress. My father has been very good to me, and I am very fond of him. I should fear much more to grieve him than to lose a fortune. I could not be a rebellious daughter; better that I should break my heart than break his: and he has told me that all his hopes of the future are centred in me. Could you not talk to him, could you not persuade him—?" she added falteringly, touching the notes at random here and there in her confusion.