The play was a success. Mrs. Oldfield, the brilliant, the elegant Nancy Oldfield, the most admired and indulged of her sex, who could violate all the laws of decorum, and yet be received and courted in the politest society, the finest comedy actress in that age of fine acting, condescended to appear in Mr. Durnford's piece, and her performance of a character of the Lady Betty Modish type, with Wilks as her lover, ravished the town. She had more grace, more distinction, than any woman of quality in London; she was the very quintessence of a fine lady, concentrating in her own person all the airs and graces, caprices and minauderies, of half a dozen fashionable coquettes, adopting a shrug from one, a wave of the fan from another, a twirl of her hoop from a third—bewitching and enchanting her audience, albeit her beauty had long been on the wane, and she was well over forty. It was the last comedy part she ever studied; and she would scarce have undertaken it but for Mr. Durnford's reputation as a man of some slight fashion, and the bosom friend of Lavendale.
Nor was Wilks, the famous Sir Harry Wildair, less admirable as a fine gentleman than Mrs. Oldfield as a fine lady. A young man of good family and liberal education, he had made his début in Dublin the year after the Revolution, and coming thence to London, he had quickly caught the grace and dash of the bucks and bloods of that statelier period. As the periwig shortened and manners relaxed, he had cultivated the more careless style of the Hanoverian era, with all its butterfly graces and audacious swagger. There was an insolent self-assurance in his love-making which delighted the fine ladies of the period, with whom modesty and reverence for womanhood were at a discount. Durnford knew Wilks intimately as a boon companion and as an actor. He had taken the exact measure of the veteran comedian's talents and capacities; and in the middle-aged fop of quality had produced a character which promised to become as popular as Wildair or Lord Townley.
All the town rushed to see An Old Story, and the patentees were eager for future comedies from the same hand. A single comedy had made Congreve independent for life; and with the success of his play Herrick Durnford felt that his prosperity as a literary worker was assured. He had tried his pen in the various departments of literature, and had been successful in all. He had won for himself a certain standing in the House of Commons, and had Walpole's promise of a place. In a word, he was as well able to marry as Richard Steele was when he took unto himself the wayward and capricious Mrs. Molly Scurlock, and he had all Steele's pluck, and a good deal more than Steele's industry.
Now then he resolved upon a step which to the outer world would have seemed desperate even to madness, a reckless throwing away of fortune. He resolved upon carrying off the Squire's heiress, and marrying her off-hand at the little chapel which Parson Keith had lately established in Curzon Street. He had always had a Mayfair marriage in his mind as the last revolt against tyranny, and he had reasons for deciding that the time had come when that revolt should be made.
It rested with Irene to give or to withhold her consent to this strong measure. He meant to use no undue persuasion. Freely must she come to his arms, as he had told himself in the dawning of their love. He had not set himself to steal her, but to win her.
When An Old Story had run fifteen nights, and had been applauded and approved by all the town, from their Majesties and the Court to the misses in the side-boxes, the apprentices in the shilling gallery, and the orange-girls in the pit, Herrick rode down to Lavendale Manor one October morning, and contrived a meeting by the old oak fence in the waning light between five and six o'clock in the evening. His ever-willing Mercury had conveyed a note to Miss Bosworth, and she was first at the trysting-place.
"My dearest, this is so good of you," said Herrick, as he clasped her to his breast and kissed the shy, half-reluctant lips.
"'Twas selfish curiosity brought me," she answered. "I have been expiring with anxiety to hear about your play. My father's newspapers told me so little, though they told me 'twas the best comedy that had been written for years; and it's so hard we cannot write to each other freely. I have been pining for a letter."
"Dearest, the time is past for secret letters and stolen meetings. The hour has struck for boldness and liberty—for open, happy, unassailable love. Irene, you have told me more than once that you do not value wealth."
"And I tell you so again," she answered.