"Believe me, no. I should like you to think me ever so much better than I am. Please, let us dawdle."

They dawdled accordingly. Strolling about upon the short sea-beaten grass, so treacherous and slippery a surface in summer time, when fierce Sol has been baking it. They stumbled against the foundations of long-vanished walls, they speculated upon fragments of cyclopean masonry, and talked a great deal about the traditions of the spot.

Christabel, who had all the old authorities—Leland, Carew, and Norden—at her fingers' ends, was delighted to expound the departed glories of this British fortress. She showed where the ancient dungeon keep had reared its stony walls upon that "high terrible crag, environed with the sea; and how there had once been a drawbridge uniting yonder cliff with the buildings on the mainland"—now divorced, as Carew says, "by the downfallen steep cliffs, on the farther side, which, though it shut out the sea from his wonted recourse, hath yet more strengthened the island; for in passing thither you must first descend with a dangerous declining, and then make a worse ascent by a path, through his stickleness occasioning, and through his steepness threatening, the ruin of your life, with the falling of your foot." She told Mr. Hamleigh how, after the Conquest, the castle was the occasional residence of some of our Princes, and how Richard, King of the Romans, Earl of Cornwall, son of King John, entertained here his nephew David, Prince of Wales, how, in Richard the Second's time, this stronghold was made a State prison, and how a certain Lord Mayor of London was, for his unruly mayoralty, condemned thither as a perpetual penitentiary; which seems very hard upon the chief magistrate of the city, who thus did vicarious penance for the riot of his brief reign.

And then they talked of Tristan and Iseult, and the tender old love-story, which lends the glamour of old-world fancies to those bare ruins of a traditional past. Christabel knew the old chronicle through Matthew Arnold's poetical version, which gives only the purer and better side of the character of the Knight and Chatelaine, at the expense of some of the strongest features of the story. Who, that knew that romantic legend, could linger on that spot without thinking of King Marc's faithless queen! Assuredly not Mr. Hamleigh, who was a staunch believer in the inventor of "sweetness and light," and who knew Arnold's verses by heart.

"What have they done with the flowers and the terrace walks?" he said,—"the garden where Tristan and his Queen basked in the sunshine of their days; and where they parted for ever?—

"'All the spring time of their love
Is already gone and past,
And instead thereof is seen
Its winter, which endureth still Tyntagel,
on its surge-beat hill,
The pleasaunce walks, the weeping queen,
The flying leaves, the straining blast,
And that long wild kiss—their last.'

And where—oh, where—are those graves in the King's chapel in which the tyrant Marc, touched with pity, ordered the fated lovers to be buried? And, behold! out of the grave of Tristan there sprung a plant which went along the walls, and descended into the grave of the Queen, and though King Marc three several times ordered this magical creeper to be cut off root and branch, it was always found growing again next morning, as if it were the very spirit of the dead knight struggling to get free from the grave, and to be with his lady-love again! Show me those tombs, Miss Courtenay."

"You can take your choice," said Jessie Bridgeman, pointing to a green mound or two, overgrown with long rank grass, in that part of the hill which was said to be the kingly burial-place. "But as for your magical tree, there is not so much as a bramble to do duty for poor Tristan."

"If I were Duke of Cornwall and Lord of Tintagel Castle, I would put up a granite cross in memory of the lovers; though I fear there was very little Christianity in either of them," said Angus.

"And I would come once a year and hang a garland on it," said Christabel, smiling at him with