"What weak stuff you are made of," muttered Jessie, contemptuously, turning to look into the white frightened face. "No, you are not going to look upon the dead. You would be afraid, and it might cause scandal. No, you are only going to see the place where he died; and then perhaps you, or I, will see a little further into the darkness that hides his fate. You heard how those men were puzzling their dull brains about it at breakfast. Even they can see that there is a mystery."
"What do you mean?"
"Only as much as I say. I know nothing—yet."
"But you suspect——?"
"Yes. My mind is full of suspicion; but it is all guess-work—no shred of evidence to go upon."
They came out of a meadow into the high road presently—the pleasant rustic road which so many happy holiday-making people tread in the sweet summer time—the way to that wild spot where England's first hero was born; the Englishman's Troy, cradle of that fair tradition out of which grew the Englishman's Iliad.
Beside the gate through which they came lay that mighty slab of spar which has been christened King Arthur's Quoit, but which the Rector of Trevalga declared to be the covering stone of a Cromlech. Christabel remembered how facetious they had all been about Arthur and his game of quoits, five years ago, in the bright autumn weather, when the leaves were blown about so lightly in the warm west wind. And now the leaves fell with a mournful heaviness, and every falling leaf seemed an emblem of death.
They went to the door of the farmhouse to get the key of the gate which leads to the Kieve. Christabel stood in the little quadrangular garden, looking up at the house, while Jessie rang and asked for what she wanted.
"Did no one except Mr. Hamleigh go to the Kieve yesterday until the men went to look for him?" she asked of the young woman who brought her the key.
"No one else, Miss. No one but him had the key. They found it in the pocket of his shooting jacket when he was brought here."