There was but one visitor who came often to the cottage, and that was Sir Reginald Eversleigh. The young baronet contrived to exist, somehow or other, upon his income of five hundred a year; but, as he had neither abandoned his old haunts, nor put aside his old vices, the income, which to a good man would have seemed a handsome competence, barely enabled him to stave off the demands of his most pressing creditors by occasional payments on account.

He lived a dark and strange existence, occupying a set of shabby-genteel apartments in a street leading out of the Strand; but spending a great part of his life in a house on the banks of the Thames—a house that stood amidst grounds of some extent, situated midway between Chelsea and Fulham.

The mistress of this house was a lady who called herself a widow, but of whose real position the world knew very little.

She was said to be of Austrian extraction, and the widow of an Austrian officer. Her name was Paulina Durski. She had bade farewell to the fresh bloom of early youth; for at her best she looked thirty years of age. But her beauty was of that brilliant order which does not need the charm of girlhood. She was a woman—a grand, queen-like creature. Those who admired her most compared her to a tall white lily, alike stately and graceful.

She was fair, with that snowy purity of complexion which is so rare a charm. Her hair was of the palest gold—darker than flaxen, lighter than auburn—hair that waved in sunny undulations on the broad white forehead, and imparted an unspeakable innocence to the beautiful face.

Such was Paulina Durski. One charm alone was wanting to render this woman as lovable as she was lovely, and that wan the charm of expression.

There was a lack of warmth in that perfect face. The bright blue eyes were hard; the rosy lips had been trained to smile on friend or foe, on stranger or kinsman, with the same artificial smile.

Hilton House was the name of the villa by the river-bank. It had belonged originally to a nobleman; but, on the decay of his fortunes, had fallen into the hands of a speculator, who intended to occupy it, but who failed almost immediately after becoming its owner. After this man's bankruptcy, the house had for a long time been tenantless. It was too expensive for some, too lonely for others; and when Madame Durski saw and took a fancy to the place, she was able to secure it for a moderate rent. The grounds and the house had been neglected. The rare and costly shrubs in the gardens were rank and overgrown; the exquisite decorations of the interior were spoiled by damp.

Madame Durski was a person who lived in a certain style; but it speedily became evident that she was very often at a loss for ready money. Her furniture arrived from Paris, and her household came also from that brilliant city. It was the household of a princess; but of a princess not unfamiliar with poverty.

There was a Spanish courier, one Carlo Toas—a strange, silent creature, whose stately and solemn movements seemed fitted for a courtly assembly, rather than for the unceremonious gatherings of modern society. The next person in importance in the household of Madame Durski was an elderly woman, who attended on the fair Austrian widow. She was a native of Paris, and her name was Sophie Elser. There were three other servants, all foreigners, and apparently devoted to their mistress.