And all this time,—while he was the moving spirit of half-a-dozen committees, while he distributed cast-off clothing, and coals, and tickets for soup, and orders for flannel, and debated the solemn question as to whether Betsy Scrubbs or Maria Tomkins was most in want of a wadded petticoat, or gave due investigation to the rival claims of Mrs. Jones and Mrs. Green to the largess of the soup kitchen,—he was an author, a philosopher, a phrenologist, a metaphysician, writing grave books, and publishing them for the instruction of mankind. He was fifty years of age; but, except that his hair was grey, he had no single attribute of age. That grey hair framed the brightest face that ever smiled upon mankind, and with the liberal sunshine smiled alike on all. George Gilbert had seen Mr. Raymond several times before to-day. Everybody in Conventford, or within a certain radius of Conventford, knew Mr. Charles Raymond; and Mr. Charles Raymond knew everybody. He looked through the transparent screen which shrouded the young surgeon's thoughts: he looked down into the young man's heart, through depths that were as clear as limpid water, and saw nothing there but truth and purity. When I say that Mr. Raymond looked into George Gilbert's heart, I use a figure of speech, for it was from the outside of the surgeon's head he drew his deductions; but I like the old romantic fancy, that a good man's heart is a temple of courage, love, and piety—an earthly shrine of all the virtues.
Mr. Raymond's house was a pretty Gothic building, half villa, half cottage, with bay windows opening into a small garden, which was very different from the garden at Camberwell, inasmuch as here all was trimly kept by an indefatigable gardener and factotum. Beyond the garden there were the meadows, only separated from Mr. Raymond's lawn by a low privet hedge; and beyond the meadows the roofs and chimneys of Conventford loomed darkly in the distance.
Charles Raymond took George into the drawing-room by-and-by, and from the bay window the young man saw Isabel Sleaford once more, as he had seen her first, in a garden. But the scene had a different aspect from that other scene, which still lingered in his mind, like a picture seen briefly in a crowded gallery. Instead of the pear-trees on the low disorderly grass-plat, the straggling branches green against the yellow sunshine of July, George saw a close-cropped lawn and trim flower-beds, stiff groups of laurel, amid bare bleak fields unsheltered from the chill March winds. Against the cold blue sky he saw Isabel's slight figure, not lolling in a garden-chair reading a novel, but walking primly with two pale-faced children dressed in black. A chill sense of pain crept through the surgeon's breast as he looked at the girlish figure, the pale joyless face, the sad dreaming eyes. He felt that some inexplicable change had come to Isabel Sleaford since that July day on which she had talked of her pet authors, and glowed and trembled with childish love for the dear books out of whose pages she took the joys and sorrows of her life.
The three pale faces, the three black dresses, had a desolate look in the cold sunlight. Mr. Raymond tapped at the glass, and beckoned to the nursery-governess.
"Melancholy-looking objects, are they not?" he said to George, as the three girls came towards the window. "I've told my housekeeper to give them plenty of roast meat, not too much done; meat's the best antidote for melancholy."
He opened the window and admitted Isabel and her two pupils.
"Here's a friend come to see you, Miss Sleaford," he said; "a friend of Sigismund's; a gentleman who knew you in London."
George held out his hand, but he saw something like terror in the girl's face as she recognized him; and he fell straightway into a profound gulf of confusion and embarrassment.
"Sigismund asked me to call," he stammered. "Sigismund told me to write and tell him how you were."
Miss Sleaford's eyes filled with tears. The tears came unbidden to her eyes now with the smallest provocation.