It was a six-mile drive from Graybridge to Warncliffe, the grave old country-town,—the dear old town, with shady pavements, and abutting upper stories, pointed gables, and diamond-paned casements; the queer old town, with wonderful churches, and gloomy archways, and steep stony streets, and above all, the grand old castle, the black towers, and keep, and turrets, and gloomy basement dungeons, lashed for ever and for ever by the blue rippling water. I have never seen Warncliffe Castle except in the summer sunshine, and my hand seems paralyzed when I try to write of it. It is easy to invent a castle, and go into raptures about the ivied walls and mouldering turrets; but I shrink away before the grand reality, and can describe nothing; I see it all too plainly, and feel the tameness of my words too much. But in summer-time this Elizabethan Midlandshire is an English paradise, endowed with all the wealth of natural loveliness, enriched by the brightest associations of poetry and romance.
Mr. Raymond was waiting at the little doorway when the fly stopped, and he gave Isabel his arm and led her into a narrow winding alley of verdure and rockwork, and then across a smooth lawn, and under an arch of solid masonry to another lawn, a velvety grass-plat, surrounded by shrubberies, and altogether a triumph of landscape gardening.
They went into the castle with a little group of visitors who have just collected on the broad steps before the door; and they were taken at once under the convoy of a dignified housekeeper in a rustling silk gown, who started off into a vivâ-voce catalogue of the contents of the castle-hall, a noble chamber with armour-clad effigies of dead-and-gone warriors ranged along the walls, with notched battle-axes, and cloven helmets, and monster antlers, and Indian wampum, and Canadian wolf-skins, and Australian boomerangs hanging against the wainscot, with carved oak and ebony muniment-chests upon the floor, and with three deep embayed windows overhanging the brightest landscape, the fairest streamlet in England.
While the housekeeper was running herself down like a musical box that had been newly wound up, and with as much animation and expression in her tones as there is in a popular melody interpreted by a musical box, Mr. Raymond led Isabel to the window, and showed her the blue waters of the Wayverne bubbling and boiling over craggy masses of rockwork, green boulders, and pebbles that shimmered in the sunlight, and then, playing hide-and-seek under dripping willows, and brawling away over emerald moss and golden sand, to fall with a sudden impetus into the quiet depths beneath the bridge.
"Look at that, my dear," said Mr. Raymond; "that isn't in the catalogue. I'll tell you all about the castle: and we'll treat the lady in the silk dress as they treat the organ boys in London. We'll give her half-a-crown to move on, and leave us to look at the pictures, and the boomerangs, and the armour, and the tapestry, and the identical toilet-table and pin-cushion in which her gracious Majesty stuck the pin she took out of her bonnet-string when she took luncheon with Lord Warncliffe a year or two ago. That's the gem of the catalogue in the housekeeper's opinion, I know. We'll look at the pictures by ourselves, Mrs. Gilbert, and I'll tell you all about them."
To my mind, Warncliffe Castle is one of the pleasantest show-places in the kingdom. There are not many rooms to see, nor are they large rooms. There are not many pictures; but the few in every room are of the choicest, and are hung on a level with the eye, and do not necessitate that straining of the spinal column which makes the misery of most picture galleries. Warncliffe Castle is like an elegant little dinner; there are not many dishes, and everything is so good that you wish there were more. And at Warncliffe the sunny chambers have the extra charm of looking as if people lived in them. You see not only Murillos and Titians, Lelys and Vandykes upon the walls; you see tables scattered with books, and women's handiwork here and there; and whichever way you turn, there is always the noisy Wayverne brawling and rippling under the windows, and the green expanse of meadow and the glory of purple woodland beyond.
Isabel moved through the rooms in a silent rapture; but yet there was a pang of anguish lurking somewhere or other amid all that rapture.
Her dreams were all true, then; there were such places as this, and people lived in them. Happy people, for whom life was all loveliness and poetry, looked out of those windows, and lolled in those antique chairs, and lived all their lives amidst caskets of Florentine mosaic, and portraits by Vandyke, and marble busts of Roman emperors, and Gobelin tapestries, and a hundred objects of art and beauty, whose very names were a strange language to Isabel.
For some people life was like this; and for her—! She shuddered as she remembered the parlours at Graybridge,—the shabby carpet, the faded moreen curtains edged with rusty velvet, the cracked jars and vases on the mantel-piece; and even if George had given her all that she had asked—the ottoman, and the Venetian blind, and the rose-coloured curtains—what would have been the use? her room would never have looked like this. She gazed about her in a sort of walking dream, intoxicated by the beauty of the place. She was looking like this when Mr. Raymond led her into one of the larger rooms, and showed her a little picture in a corner, a Tintoretto, which he said was a gem.
She looked at the Tintoretto in a drowsy kind of way. It was a very brown gem, and its beauties were quite beyond Mrs Gilbert's appreciation. She was not thinking of the picture. She was thinking if, by some romantic legerdemain, she could "turn out" to be the rightful heiress of such a castle as this, with a river like the Wayverne brawling under her windows, and trailing willow-branches dipping into the water. There were some such childish thoughts as these in her mind while Mr. Raymond was enlarging upon the wonderful finish and modelling of the Venetian's masterpiece; and she was aroused from her reverie not by her companion's remarks, but by a woman's voice on the other side of the room.