"Did I not know you superior to all petty arts I might say you dressed your waiting-woman to be a foil to your beauty," Lord Dunkeld told Antonia, when Sophy was out of earshot.
"Miss Potter chooses her own clothes, and I can never persuade her to wear anything but the latest fashion. She has but to see the picture of a new mode in the Ladies' Magazine, and she is miserable till she tries it on her own person."
They went into the church, where the hot sunlight was intensified by the pervading decoration, and the high altar glowed like a furnace. The marble pillars were covered with crimson brocade, and long crimson curtains hung from the roof, making a tent of warm rich red, the scarlet vestments of the acolytes striking a harsher note against the crimson glow.
Three priests in richly embroidered copes officiated at the altar, and between the rolling thunder of the organ came the sound of loud strident voices chanting without accompaniment, while children's treble pipes shrilled out alternate versicles. The congregation consisted mostly of women, wearing veils, white or black.
Antonia stood by a pillar near the door, enduring the heated atmosphere as long as she could, but she had to leave the church before the end of the service, followed by Sophy. Lord Dunkeld found them seated in the piazza, where they could wait for the procession, and watch the tributes of the pious being carried into the church by a side door—huge cakes, castles and temples in ornamental pastry, baskets of fruit, a dead hare, live fowls, birds in a cage, a fir tree with grapes and peaches tied to the branches, a family of white kittens mewing and struggling in a basket.
The train of priests and acolytes came pouring out into the sunshine, gorgeous in gold and brocade, the band playing a triumphal march. After the officiating priests came a procession of men in monkish robes, some struggling under the weight of massive crosses, the rest carrying tapers that burnt pale in the vivid light; some with upright form and raven hair, others the veterans of toil, with silvery locks and dark olive faces, strong and rugged features, withered hands seamed with the scars of labour; and following these came women of every age, from fifteen to ninety, their heads draped with white or black veils, but their faces uncovered.
Lord Dunkeld surveyed them with a critical eye. "Upon my soul, I did not think Italy could show so much ugliness," he said.
"Oh, but most of the girls are pretty."
"The girls, yes—but the women! They grow out of their good looks before they are thirty, and are hags and witches when an Englishwoman's mature charms are at the zenith. Stay, there is a pretty roguish face—and—look, look, madam, the girl next her—the tall girl—great Heaven, what a likeness!"
He ran forward a few paces to get a second look at a face that had startled him out of his Scottish phlegm—a face that was like Antonia's in feature and expression, though the colouring was darker and less delicate.