"Pray, pray, sir, say no more—you are breaking my heart—I want to respect you still, if I can."

"Pshaw, child, after all we have read together! 'Tis a shock to hear such heroics! What is the true philosophy of life but to snatch all the comfort and happiness the hour offers? What is true morality but to do all the good we can to ourselves, and no harm to our neighbours? Will your fellow-creatures be any the better for your unkindness to Kilrush? With his fortune to deal with, you could do an infinitude of good."

"Oh, cease, I implore you!" she exclaimed distractedly. "If his tears could not conquer me, do you think your philosophy can shake my resolve?"

She left him, and took refuge in her garret, and sat staring blankly into space, heart-sick and disgusted with life. Her father! 'Twas the first time she had ever been ashamed of him. Her father to be the advocate of dishonour—to urge her to accept degradation! Her father, whom she had loved till this hour with a child's implicit belief in the wisdom and beneficence of a parent—was he no better than the wretches she had heard Patty talk about, the complacent husbands who flourished upon a wife's infidelity, the brothers who fawned upon a sister's protector? Was all the world made of the same base stuff; and did woman's virtue and man's honour live but in the dreams of genius?

She had accepted her father's dictum that religion and superstition were convertible terms. Her young mind had been steeped in the Voltairean philosophy before she was strong enough to form her own opinions or choose her own creed. She had read over and over again of the evil that religion had done in the world, and never of the good. Instead of the whole armour of righteousness, she had been shown the racks and thumb-screws of the Spanish Inquisition; and had been taught to associate the altar with the auto da fé. All she knew of piety was priestcraft; and though her heart melted with compassion for the martyrs of a mistaken belief, her mind scorned their credulity. But from her first hour of awakening reason she had never wavered in her ideas of right and wrong, honour and dishonour. As a child of twelve, newly entrusted with the expenditure of small sums, all her little dealings with Mrs. Potter had shown a scrupulous honesty, a delicacy and consideration, which the good woman had seldom met with in adult lodgers. The books that had made her an infidel had held before her high ideals of honour. And those other books—the books she most loved—her Shakespeare, her Spenser—had taught her all that is noblest in man and woman.

She thought of Shakespeare's Isabella, who, not to save the life of a beloved brother, would stoop to sin. She recalled her instinctive contempt for Claudio, who, to buy that worthless life, would have sold his sister to shame.

"My father is like Claudio," she thought; and then with a sudden compunction, "No, no, he is not selfish—he is only mistaken. It was of me he thought—and that if Kilrush loved me, and I loved him, I might be happy."

Her tears flowed afresh. Never till Kilrush threw off the mask had she known what it was to look along the dull vista of life and see no star, to feel the days a burden, the future a blank. She missed him. Oh, how she missed him! Day after day in the parlour below she had sat looking at his empty chair, listening unawares for a footstep she was never likely to hear again. She recalled his conversation, his opinions, his criticism of her favourite books, their arguments, their almost quarrels about abstract things. His face haunted her: those exquisitely refined features upon which the only effect of age was an increased delicacy of line and colouring; the depth of thought in the dark grey eyes; the grave smile with its so swift transition from satire to a tender melancholy. Was there ever such a man? His elegance, his dignity, his manner of entering a room or leaving it, the grace of every gesture, so careless yet so unerring—every trait of character, every charm of person, which she was unconscious of having noticed in their almost daily association, seemed now to have been burnt into her brain and to be written there for ever.

In the fortnight that had passed since they had parted, she had tried in vain to occupy herself with the work which had hitherto interested her so much as to make industry only another name for amusement. Her adaptation of Goldoni's Villeggiatura lay on her table, the pages soiled by exposure, sentence after sentence obliterated. The facile pen had lost its readiness. She found herself translating the lively Italian with a dull precision; she, who of old had so deftly turned every phrase into idiomatic English—who had lent so much of herself to her author.

Often in these sorrowful days she had pushed aside her manuscript to scribble her recollections of Kilrush's conversation upon a stray sheet of foolscap. Often again, in those saddest moments of all, she had recalled his words of impassioned love—his tears; and her own tears had fallen thick and fast upon the disfigured page.