"I hope I know my duty, ma'am," replied Mrs. Brobson stiffly. That hour's parading in the gardens, without any relief from her subordinate, had soured her temper, and inclined her to look with unfavourable eyes upon the conduct of her mistress. Clarissa felt that she had excited the suspicion of her servant, and that all her future meetings with her brother would involve as much plotting and planning as would serve for the ripening of a political conspiracy.
* * * * *
CHAPTER XXXIII.
ONLY A PORTRAIT-PAINTER.
While Clarissa was pondering on that perplexing question, how she was to see her brother frequently without Mr. Granger's knowledge, fortune had favoured her in a manner she had never anticipated. After what Mr. Fairfax had said to her about Austin Lovel's "set," the last thing she expected was to meet her brother in society—that fast Bohemian world in which she supposed him to exist, seemed utterly remote from the faultless circle of Daniel Granger's acquaintance. It happened, however, that one of the dearest friends to whom Lady Laura Armstrong had introduced her sweet Clarissa was a lady of the Leo-Hunter genus—a certain Madame Caballero, née Bondichori, a little elderly Frenchwoman, with sparkling black eyes and inexhaustible vivacity; the widow of a Portuguese wine-merchant; a lady whose fortune enabled her to occupy a first floor in one of the freestone palaces of the Champs Elysées, to wear black velvet and diamonds in perpetuity, and to receive a herd of small lions and a flock of admiring nobodies twice a-week. The little widow prided herself on her worship of genius. All members of the lion tribe came alike to her: painters, sculptors, singers; actors, and performers upon every variety of known and unknown musical instruments; budding barristers, who had won forensic laurels by the eloquent defence of some notorious criminal; homoeopathic doctors, lady doctresses, or lawyeresses, or deaconesses, from America; and pretty women who had won a kind of renown by something special in the way of eyebrows, or arms, or shoulders.
To these crowded saloons Mr. Granger brought his wife and daughter one evening. They found a great many people assembled in three lofty rooms, hung with amber satin, in the remotest and smallest of which apartments Madame Caballero made tea à l'anglaise, for her intimates; while, in the largest, some fearful and wonderful instrumental music was going on, with the very smallest possible amount of attention from the audience. There was a perpetual buzz of conversation; and there was a considerable sprinkling of curious-looking people; weird men with long unkempt hair, strong-minded women, who counterbalanced these in a manner by wearing their hair preternaturally short. Altogether, the assembly was an unusual one; but Madame Caballero's guests seemed to enjoy themselves very much. Their good spirits may have been partly due to the fact that they had the pleasing anticipation of an excellent supper, furnished with all the choicest dainties that Chevet can provide; for Madame Caballero's receptions were of a substantial order, and she owed a good deal of her popularity to the profusion that distinguished the commissariat department.
Mr. and Mrs. Granger made their way to the inner room by and by. It was the prettiest room of the three, with a great semi-circular window overlooking nothing particular in the daytime, but making a handsome amber-hung recess at night. Here there was a sea-coal fire à l'anglaise, and only a subdued glimmering of wax candles, instead of the broad glare in the larger saloons. Here, too were to be found the choicest of Madame Caballero's guests; a cabinet minister, an ambassador, a poet of some standing, and one of the most distinguished sopranos of the season, a fair-haired German girl, with great pathetic blue eyes.
Even in this society Madame Caballero was rejoiced to see her sweet Mrs. Granger and her charming Miss Granger, who was looking unutterably stiff, in mauve silk and white lace. The lady and her friends had been talking of some one as the Grangers entered, talking rapturously.
"J'en raffole!" exclaimed Madame; "such a charming young man, gifted with talents of the most original order."
The ambassador was looking at a portrait—the likeness of Madame Caballero herself—a mere sketch in oils, with a mark of the brush upon it, but remarkable for the chic and daring of the painter's style, and for that idealised resemblance which is always so agreeable to the subject.